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ANAMORPHIC

The largest online community devoted to anamorphic filmmaking.
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  1. A Very Nice Sankor 16 Test

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  2. HardcoreDNA vs ProtoDNA

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  3. Mystery lens

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  4. Relubing Lens

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  5. Baby Iscorama - soft?

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
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EOSHD 5D Mark III 3.5K RAW Shooter's Guide


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  • Posts

    • They still want to send it back to Bloom. Good lord. 
    • I don't know how prores RAW works but BRAW is definitely amazing. I was working with the URSA mini 4.6k and I will say it was really nice to have internal ND's on there. Just a flick of the switch and boom correct exposure. My next camera purchase will probably be the Original URSA 4k (global shutter 🤩 ) doesn't have BRAW but there is prores 444. The variable ND I used on the shoot the other day was a pain in the neck. Fricken thing was either too tight or too loose, poorly designed. Though I am sure there are better ones out there lol.
    • Yeah I was talking about cheaper lenses. I'd imagine most lenses classified as cine lenses would be great even wide open. I rarely shoot wide open but its definitely nice to have that ability. I think like anything else it comes down to the laws of diminishing returns. A big advantage of rokinon lenses is the option to get the cine versions which are pretty inexpensive.
    • Idk, I think I’d rather have the form factor, battery life and electronic ND of the FS5. With the Raw update and ProRes Raw, you’d have a tiny beast of cinema camera. Anyway, I’ll happily pay you the price of the P4K for your FS5, though. 
    • Well, I’d agree about production value and I’d agree with lenses in our price range, however I wouldn’t necessarily agree with professional cinema lenses. Cookes and Primos and Super Speeds are used for specific productions for specific reasons, so I don’t think stopping it down will mitigate that. But yes, in this instance, it is a valid point and since I found this video from this old thread... ... there’s a good chance that the director did just that as he describes stopping down his lenses to get the best resolution when shooting ML Raw. But as we all know, it isn’t easy pulling focus on a 1.4 lens, so if you can get this type of quality stopped down to f/4-5.6 with a super fast 24mm 1.4 that costs less than $400... then I’d say that’s a pretty good lens to have in your arsenal.
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