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ANAMORPHIC

The largest online community devoted to anamorphic filmmaking.
Discuss lenses, adapters, workflows and post lenses for sale

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  1. Selling my Kowa 8z

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  2. Which Lens

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color 3.0 for Sony cameras
EOSHD Pro LOG for Sony cameras
EOSHD 5D Mark III 3.5K RAW Shooter's Guide


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    • I am thinking the XH2 will just be an XH1 with an XT3 sensor and faster processor. Hopefully better IBIS.
    • Selling My Sony A6500 base filmmaker kit. Full Package will go for $1750 ($170 savings) PayPal / Local trade: (Brooklyn NY/ East Brunswick NJ, USA) Here is a kit value: The camera comes with play memories apps: Smooth Reflection 5$ Sky HDR 10$ Time-lapse 10$ removed a 30 min rec video limits. Sony E PZ 18-105mm f/4 G OSS Lens 450$ 3x original sony NP-FW50 batteries 3x($50) Sony BC-TRW W charger ($35) 3d print battery holder ($20) FotodioX Canon EF to Sony E $50 SmallRig Cage Kit 2097 ($55)  LWS Baseplate 1934 ($89)  Neewer Follow Focus with Single 15mm Rod Clamp $40 Peak Design Shell Rain Cover (Small) $35 Peak Design Capture Lens Kit Sony $50 Power solutions: AC adapter with DC Coupler NP-FW50 Battery $20 Total $969 
    • Selling my trusty Canon 5D II with Canon 24-70 f2.8 $800 (only) with extras for studio work. Full Package $1400 ($200 saving) PayPal. Can ship USA or local pick up (Brooklyn NY/ East Brunswick NJ) Camera Package: Canon 5D II body only ($470) + one battery and charger Really Right Stuff L bracket = $80 2 extra original batteries + 1 extra (not original) 2x$30=$60 Canon AC-E6N AC Adapter and DC Coupler DR-E6 Kit = $120 Canon Remote Switch RS-80N3 = $30 SanDisk 32GB Extreme Pro CompactFlash (Magic Lantern installed) = $40 - strap $15 Camera Package = 470+80+60+120+30+40=$800 TOTAL = $800 I used the camera in a studio for product photography. It has 87k shutter count. Never used it for video. Sensor professionally cleaned. It has some edge wear out on the body but nothing critical overall look clean. It was well cared. I'm the only one owner. Canon 24-70 f2.8 is clean, no scratches. It was serviced with a Canon Pro technical service. The aperture mechanism was replaced (that the most common problem of that lens) So it's 100% will work.
    • Yes the EVA-1 was really close. I like that camera and have used it on quite a few jobs. Codec-wise and image wise, it's incredible. Would love something a bit smaller with a modern mount (for adapters/speedboosters) and a useable screen. When you're going for a small footprint, an external monitor with more batteries and chargers isn't ideal. But this is closest! I'm being very picky here - haha     Agreed - and if it's someone who can disrupt a bit (like Fuji), then throw in some IBIS while you're at it. 
    • Hallelujah! An XC design of such a camera would be Godsend. In pro world - not high end - a 10bit codec is a must, raw - not, but of course I wouldn't mind raw for free (like in P4K).
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