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EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

    17,241
    posts
  2. RAW SHOOTING CAMERAS

    ALL THINGS RAW! Cameras including Blackmagic and codecs like ProRes RAW and BRAW. Accessories like external recorders and workflows including raw compatible NLEs.

    3,477
    posts
  3. SHOOTING AND FOOTAGE

    Screening room and the creative side of filmmaking - share your videos / ideas / stories and scripts.

    3,818
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    4,929
    posts
  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

    2,668
    posts

9,684 topics in this forum

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  1. DJI Mavic Pro II

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  2. Nikon D5200 review

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color 3.0 for Sony cameras
EOSHD Pro LOG for Sony cameras
EOSHD 5D Mark III 3.5K RAW Shooter's Guide


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  • Posts

    • @PannySVHS C300 II codecs are very good for dynamic range. With C-LOG 2 you can easily recover an overexposure of 2 stops and maybe even more. The only case I feel the codecs are not robust enough is when you grade footages of C-LOG 2 in low light.
    • Thanks... Is the screen that bad for your usage? There are pretty different information from reviewers. Also, I suppose  ou know it, and know better than me, but just to remind - actual power of BM camera line lays just in these magic sliders at the left in Resolve when using raw files  It is so mystical exciting to me to see how blown highlights getting back their picks, how truly molding is WB... I can't resist to feel that something similar maybe it is still possible with my life: bring back to life picks of hopes, totally change skintones of my destiny...
    • Thanks buddy. I am glad you are not silent any more and enjoy the forum
    • Soooo I'm going to throw stones here a bit. I tried out the camera an had some serious problems with it. The form factor threw me off. Why for the love of god are BM still putting reflective screens on their cameras for video?  Tried to test out the camera for a upcoming short. Honestly it did not immediately strike me as being better than the image from my D750, though zooming in the compression differences do show the advantages of the Pocket. The Dynamic range is worse than I was expecting, about on par with my D750. It is vastly inferior to the URSA mini that I had tried previously, and is actually a surprisingly noisy image out of the camera (cleans up nicely in Resolve denoise). Crop factor was harder to deal with than expected without adding a speedbooster or buying all new glass. Also wanted to rent cine glass for the short, and there is limited options available for wides.  Most of all seeing the continuing issue of IR contamination from BM sensors seriously drives me up the wall.  Color is better on the BM, but wondering if a external recorder on the D750 will bridge the gap even further. Blackmagic (Prores HQ 4:2:2 Arri Alexa Lut) 28mm D750 (Neutral out of camera) 40mm
    • An early look at pre-production version MC21here  
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