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Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

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  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

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  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

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  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

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  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

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  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color 3.0 for Sony cameras
EOSHD Pro LOG for Sony cameras
EOSHD 5D Mark III 3.5K RAW Shooter's Guide

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    • OP is doing videos for a while, its maybe one of his first customers, but its not his first video. 200€ is way too low, if he asks 200€ now. Offcourse the client will hire him. But you will not be able to negotiate for a much higher price for the next video. They come to you because you are cheap, not because you have skills. You cannot live from a 200€ dayrate (when taxes etc pass through it), then you are better off working for a production company. Well 1000€ per day might be too high as well, over here 1000€ per day in Belgium gets you a veteran DOP with Arri amira + light kit + movi + sliders etc. 
    • good advice here! stay calm and assertive  
    • You are mad people.   1) First of all it is his first job, ever. I did a lot of free, low payed jobs in late 90's so I can learn different skills in our field. 2) Also, southern of Spain unemployment is at all time high, almost double the unemployment rates of Madrid, Northern Spain and Catalunya. When the rates for a normal 5 days/40 hours per week, is almost 800€ (it is half of those in Greece, unemployment is 30%), and he is probably getting black money (non taxed, but not insured either, that happens a lot in southern Europe), how would you ask for a day inside a studio shooting models? 3) if he got his mirrorless, with a couple of lenses, how do you charge for equipment? Usually it is around 2% of the market value (not when they were new). 4) I can't stress that enough. lack of experience, it is his first job, something happens on set, people see you differently and some how more sympathetic if they know you are just trying to braking in - and you get 200€ - thatn youbhave advertised yourself like - I do it all for 600€- type of guy. It takes one person being on set half a dozen times to realise one is inexperienced, and that is not a good thing. Imagine people being in the industry for decades, you can loose face, and future jobs just like that.
    • Hello! I was contacted to make a recording of a musical which has two one hour long parts. I need to rent a 4K camcorder which wont give me heating or other problems. I would appreciate a lot some recomendations, mostly if they come from people who have tested it! Thanks! 
    • 200 seems too low IMHO, unless you are an intern, a non-pro doing a favor or a reduced day rate based on the amount of days hired. I live and work in Madrid and 200 would be ok if you get hired several days a week every week... Anyway, just like everywhere else, it depends on the distribution and the scale of the job -in this case, I suppose it is mainly internal or web use-, your skills/experience -although knowing how much others clients pay for your talent is only useful to you and measure the value of your time-, and the gear used. It shouldn't be like that but the rates are different if you are using proper lights and lenses on an FS7/C300 than if it's just you with a 5D and an on-camera light, regardless of your talent and the result. If it's just you with your camera, don't go below 500€/day... and try to get something extra for an assistant.
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