Jump to content

EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

    15,932
    posts
  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    2,606
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    3,265
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    4,112
    posts
  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

    1,580
    posts

8,205 topics in this forum

  1. Lenses

    • 2,602 replies
    • 187,246 views
    • 220 replies
    • 20,472 views
    • 72 replies
    • 9,059 views
    • 2,594 replies
    • 259,892 views
    • 5 replies
    • 633 views
    • 254 replies
    • 61,810 views
    • 176 replies
    • 6,743 views
    • 89 replies
    • 1,869 views
    • 36 replies
    • 2,549 views
    • 1 reply
    • 83 views
    • 20 replies
    • 588 views
    • 9 replies
    • 567 views
    • 67 replies
    • 6,500 views
    • 132 replies
    • 8,213 views
    • 13 replies
    • 587 views
    • 260 replies
    • 26,566 views
    • 6 replies
    • 164 views
  2. BMPCC to BMMCC

    • 13 replies
    • 540 views
  3. Scary Bmd oled evf mod.

    • 1 reply
    • 160 views
    • 1 reply
    • 149 views
    • 4 replies
    • 629 views
    • 31 replies
    • 546 views
    • 26 replies
    • 726 views
    • 144 replies
    • 11,414 views
  4. LG V30 HDR Camera

    • 35 replies
    • 3,906 views
    • 2 replies
    • 87 views
    • 29 replies
    • 884 views
  5. Leica SL or Canon 1DX II?

    • 10 replies
    • 341 views
    • 100 replies
    • 21,215 views
    • 0 replies
    • 84 views
    • 122 replies
    • 11,424 views
    • 10 replies
    • 415 views
    • 503 replies
    • 88,118 views
    • 10 replies
    • 1,520 views
    • 52 replies
    • 13,432 views
EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color 3.0 for Sony cameras
EOSHD Pro LOG for Sony cameras
EOSHD 5D Mark III 3.5K RAW Shooter's Guide

  • Popular Contributors

  • Forum Statistics

    • Total Topics
      12,412
    • Total Posts
      188,012
  • Member Statistics

    • Total Members
      26,794
    • Most Online
      3,616

    Newest Member
    Anders Lilleberg
    Joined
  • Posts

    • @kidzrevil That's why I qualified my statement with the words as far as I know. But this document seems to carry some weight worldwide. Of course, guidelines are just that - guidelines; and there will always be exceptions to the rule. It must be remembered that content isn't always broadcast live (much of it is taped), so we're not concerned here with whether the TV set itself is 10-bit or 8-bit. 
    • @jonpais broadcasters never required 10 bit. If you go off of BBC standards the Canon Xc10 was considered a Tier 1 camera and it was most definitely 8bit. 10 bit displays haven’t even saturated the market and its 2017 theres no way broadcasters could require 10bit. Thats too much data to push to a coaxial cable. I agree that HDR is a step up but its not that serious. High dynamic range in the wrong hands is as much of a disaster as it was when we had SDR cameras. HDR will in fact change industry practice its not something production studios have accounted for in the past. I really still believe HDR will remain an “icing on the cake” feature for at least a couple of more years. If the demand for it increases it will become a standard but it will have to survive a couple more years in this consumer market to be a thing i.e. 3D tv
    • Likelihood of the a6500 being "replaced" in the next 6 or so months? I'm thinking about picking up an 6300 or 6500, but if an a6700 is right around the corner, should I wait? 240fps in FHD would be nice. And 4K 60fps would be fantastic
    • Even though we both know @Axel isn’t being serious, we can all probably think of one or two other technologies that, like a bolt of lightning (sorry, cliche I know!), suddenly made everything before seem outdated or at the very least, a drudge to work with. For me at least, one of those was IBIS. For example, once I started shooting with my G85, I never wanted to pick up my lowly GH4 again. But unlike IBIS, a feature still unavailable on professional cinema cameras and which most videographers have somehow managed to live without for a quarter of a century - to the best of my knowledge, long before the advent of HDR - colorists have never liked working with 8-bit files. And (afaik) most broadcasters have also required 10-bit. So in that repect at least, HDR has not really changed industry practice. To return to IBIS for a moment, I can think of at least two videographers, when moving up from mirrorless to cameras like the Ursa Mini, deplored the lack of IBIS. And I imagine the same disruption to the industry will occur once the GH6 and the Sony A7s IV boast built in ND filters.  Time to change the title of this thread to HDR on YouTube & Vimeo - next big thing? 😂 A quick tutorial for setting up Resolve 14 for HDR editing (for eventual upload to YouTube).
    • I am sure most of you have seen this already. They are going H265/10bit/HDR/8K. Actually HDR maybe is coming faster because of Apple. It took them 3 years NOT to perfectly implement H265 in their workflow, but they seem to be the front runners of HDR. My previous post stands though, I do not care, much, about HDR in 2018! https://vimeo.com/blog/post/luminous-colors-stunning-high-quality-hdr-arrived  
  • Topics

×