Jump to content

GEAR FOR SALE

Post classified ads for your camera gear and filmmaking related kit!

1,333 topics in this forum

    • 1 reply
    • 7,909 views
    • 284 replies
    • 195,572 views
  1. Sony FS5 for Sale

    • 8 replies
    • 4,301 views
    • 4 replies
    • 4,185 views
    • 11 replies
    • 3,702 views
    • 10 replies
    • 3,240 views
  2. FS: Digital Bolex MFT (EU only)

    • 9 replies
    • 2,939 views
    • 6 replies
    • 2,894 views
    • 5 replies
    • 2,883 views
  3. GH5 and Veydra Prime Kit

    • 4 replies
    • 2,722 views
  4. Kowa 16D For Sale

    • 1 reply
    • 2,618 views
    • 16 replies
    • 2,471 views
    • 8 replies
    • 2,461 views
    • 1 reply
    • 2,399 views
    • 2 replies
    • 2,348 views
    • 3 replies
    • 2,317 views
    • 5 replies
    • 2,314 views
    • 2 replies
    • 2,277 views
    • 0 replies
    • 2,272 views
    • 2 replies
    • 2,268 views
    • 5 replies
    • 2,239 views
    • 9 replies
    • 2,189 views
    • 4 replies
    • 2,175 views
  5. Leica Gear (SL + Lenses)

    • 13 replies
    • 2,170 views
    • 2 replies
    • 2,158 views
    • 1 reply
    • 2,125 views
    • 0 replies
    • 2,103 views
    • 6 replies
    • 2,088 views
    • 7 replies
    • 2,061 views
    • 9 replies
    • 2,053 views
  6. [ WANT TO BUY ] Bolex d16 only in EU

    • 2 replies
    • 2,032 views
    • 2 replies
    • 1,971 views
    • 3 replies
    • 1,954 views
    • 2 replies
    • 1,954 views
  7. BMMCC For Sale

    • 17 replies
    • 1,951 views
EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color 3.0 for Sony cameras
EOSHD Pro LOG for Sony cameras
EOSHD 5D Mark III 3.5K RAW Shooter's Guide


  • Popular Contributors

  • Forum Statistics

    • Total Topics
      15,750
    • Total Posts
      275,879
  • Member Statistics

    • Total Members
      29,909
    • Most Online
      19,591

    Newest Member
    goku223344
    Joined
  • Posts

    • Thanks Chris, I have been rocking the GH2, GH3, GH4 and now the GH5. It is the end of the line for me with the GH line. I really learned allot and I have lots of footage I love. There are a few exciting camera's out and coming out. GH5 with the 10 bit was a big plus over 8 bit. I want something with great color science like the Blackmagic URSA Mini Pro 4.6K G2 but also with a small form factor. The Z CAM E-2 4K looks nice. For me the dream specs would good color science, 10 bit, 120 fps 4k, small form factor, global shutter, Pro Res Raw or HQ with MFT mount. I have invested and built up a collection of vintage glass in MFT so I'm rocking this formate for a while. With all that said, I still think my best footage came off my hacked GH2  
    • No they can't, they can't output 10-bit
    • I wasn't talking about 12 bit files. In 8 bit 4:2:0, for each set of 4 pixels in 8 bit 4:2:0, you have 4x 8 bit Y, and 1x 8 bit U and 1x 8 bit V. That averages out to 12 bits/pixel, a simplification to show the variation per pixel compared to RGGB raw. It seems your argument is essentially that debayering removes information, therefore the Raw file has more tonality. That's true--in a sense. But in that sense, even a 1 bit Raw file has information than the 8 bit debayered version won't have, but I wouldn't say it has "more tonality." I don't believe this is true. You always want to operate in the highest precision possible, because in minimizes loss during the operation, but you never get out more information than you put in.   It's also possible we're arguing different points. In essence, what I am saying is that lossless 8 bit 4:2:0 debayered from 12 bit Raw in camera has the potential* to be a superior format to 8 bit Raw from that same camera. *and the reason I say potential is that the processing has to be reasonably close to what we'd do in post, no stupidly strong sharpening etc.     About this specific example form the fp... I didn't have that impression, to be honest. It seems close to any 8 bit uncompressed image.  
    • I think satisfaction levels are about comparing what you have to what you want.  I think everyone probably always wants more, but it's about priorities.  Do I want a camera the size of a GoPro Hero 5 Session, lenses that perform like Zeiss Master Primes, output files that look like an ARRI 65, and the whole thing to cost $100 with free shipping?  Yes.  But the point is that all that happens in the context of all the rest of what we're doing when we shoot.   I think most real shooters are concerned with the total package of what they deliver, and if the camera isn't in the top 5 issues that are holding us back then we're not focused on it, and if asked we'll say we're satisfied. Everyone wants more, we just differ by how much we want it.
    • A couple of screen-grabs from a recent Sofar Concert I shot. Shot with the 70-200 2.8, all in 4k 10bit HLG, graded with Filmconvert Nitrate in a couple of minutes.   
  • Topics

×
×
  • Create New...