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SAMSUNG NX1 / NX500 HACK

Discuss the NX1 hack and more. Share your mods. Share your tests.

198 topics in this forum

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  1. 4K / 2K MJPEG?

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  2. NX1 menu hack

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  3. JPEG/MJPEG vs HEVC

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color 3.0 for Sony cameras
EOSHD Pro LOG for Sony cameras
EOSHD 5D Mark III 3.5K RAW Shooter's Guide


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    • For me it’s a balancing act amongst all the different aspects of the camera: ergonomics, weight, size, battery life, AF (or lack of), IBIS (or lack of), codecs, frame rates, ISO performance  recording media, lens mount, weather sealing, affordability, etc. I literally charted out all my needs for a camera based on this list and tried to find the perfect camera to fit it all. Obviously no such camera exists so I took the necessary compromises and weighed what was most important to me. The camera that accomplishes the majority of my goals is the Panasonic GH5.    Everything is a compromise though no matter what. For me, ease of operation and ease of workflow trump all. Hence the GH5 is my favorite camera even over my BMPCC4K.    Jobs vary though. Sometimes the Pocket 4K is my A cam and the GH5 is B cam. Sometimes it’s the opposite.  
    • My "raw workflow" is just expose with a light meter, also get a grey card and then import to Resolve. In the raw settings I may use highlight reconstruction and do an exposure adjustment. Generally from there, if not working in ACES I do a CST to log (Cineon or Alexa LogC) then put the PFE lut on it to see how it will look before any log space grading. Edit: to be clear the PFE lut is the last thing in the chain but I'll put it on before grading (time-wise, not in the node graph). This gives me a nice quick one-light and should match the on-set monitor. I didn't see anything about these images that would make me deviate from that. They seem like regular raw images to me once they are in Resolve, but I'll have to see when more becomes available.
    • Hi, I have an FVD16A - I'm happy with the optical quality but it's too stiff for my follow focus. Anyone have experience loosening one up? I don't know how. Thanks.
    • Good news if you haven't had a problem with this technique. Now I have the rec triger fuji cable and I can't anyway power my XT3 with my Ronin. But I use a long 2m USB-C cable and I gaff a loop about 40-50cm on the SC's handle and I wear my anker  in my pocket or in a small shoulder bag. Works fine and lightweight!  
    • Iirc they just put the RAW stuff into an SRGB/gamma 2.6. Which seems quite ... unusual. whenever i do raw stuff in resolve, i go for blackmagic film, as flat as possible, then onwards to cineon and other log stuff. as i understand they tried to emulate the RAW to something they can compare to their other measurements. For me, RAW needs special treatment : ETTR, normalisation, and then noise reduction (i love neatvideo for that). it's difficult to compare the fp's dynamic range, because all other cams lower the noise floor already. you need to do your part in RAW yourself.
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