SAMSUNG NX1 / NX500 HACK
Discuss the NX1 hack and more. Share your mods. Share your tests.
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I think this is the concern from pocket and micro users that the P4k doesnt have that BMPCC factor that made that camera amazing. -
That's what the network ask for practicality and image quality. Many people don't gasp the amount of data which goes into a production. I am doing a reportage now which will be between 21-25 minutes. Just the interview is between 2-2.5 hours, in total it might reach 5-6 hours of footage. No one wants to deal with 4x the data for just marginal gains. I -
By Mako Sports · Posted
I consider the Varicam LT, Varicam 35, Sony F5, F55, and Venice, Ursa line, and both C700s cinema bodies (needs to be rigged for use, not ideal for a 1 man band) C100 - C300mk2, FS5, FS7, and the EVA 1 high end video cameras - ready shoot straight out of the box, all and all you need is a lens. -
Actually, I think this question will get easier to answer over time. It used to be that a cinema camera had lots of features (NDs, dedicated buttons), connections (SDI, XLRs), and high IQ (resolution, codecs, DR, colour science). So when hybrids got good, it was confusing because they also had much of the high IQ and some of the features. Once hybrids have all the IQ and features, then it will be down to the connections. This is as it should be, as no-one is going to run a 20-person crew with a hybrid and rely on the HDMI out - they will pay the extra and get a camera that can integrate into the wider architecture of a professional film-set with multiple monitors showing multiple grades to different people, audio mixing and wireless sends, etc etc. If your film set is $20,000/hr then the difference between hiring a $5K camera and a $50k camera is negligible. Unfortunately the product lines from most manufacturers seem to indicate they are clueless about this. I don't think they are clueless about it at all, I think it's the middle-managers playing corporate chess for survival coupled with organisational cultural inertia that's the real reason behind it. -
I’m really split. I have a preorder on the EOS R but reading all the things here, I’m playing with the idea of cancelling it. I personally don’t mind the crop thaaaaat much because there’s a lot of good EF-S glass out there. But then yeah, why not just get a aps-c cam like the m50. But I also have no need for 4K yet besides cropping if 1080 by itself is good. But i love DPAF, canon colors and the flip screen. That’s what’s keeping me right now. If Sony added a flip screen, or the gh5 had better focus...... Anyone here got an R and has some good things to say?
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