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RAW SHOOTING CAMERAS

ALL THINGS RAW! Cameras including Blackmagic and codecs like ProRes RAW and BRAW. Accessories like external recorders and workflows including raw compatible NLEs.

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  1. BMPCC Anamorphic Film

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  2. BMPCC Sword (2K)

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  3. Blackmagic and tungsten

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  4. BMPCC VAF Setup.

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  5. BMCUSER.COM

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  6. BMCC Vs BMPC4k Raw

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color 3.0 for Sony cameras
EOSHD Pro LOG for Sony cameras
EOSHD 5D Mark III 3.5K RAW Shooter's Guide


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    • actually, youre all wrong. a digital camera is a lightproof box that houses a tremendous number of little creatures that paint the pictures – theyre kind of a cross between the so-called dmt "machine elves" and the south park underpants gnomes anyway, thats the amount of bits that your camera has. the more bits (gnomes) it has, the more expensive it is, and then the gnomes can draw faster, better pictures. its p simple really
    • This adapter, and it's performance, hope it's good, is the only thing keeping from ordering a new Panny S1...  
    • Yeah, I think GH5 colors were a big improvement over GH4 colors.  Before the GH5, I only really liked Canon and Nikon colors in the DSLR segment. But the GH5 is good enough, and 10 bit internal recording helps a lot with grading.  There's a whole thread here devoted to an Alexa LUT for mixing GH5 with Alexa footage.  I know a lot of people mix GH5 with Red footage as well including myself.    So yeah, I don't think its best in the business, but the GH5 can get the job done, and it's crammed with video modes that still are not matched by anyone else except maybe Fuji.  Fuji's latest stuff looks great too, but I have not worked with it, and it came after the GH5.   Sony's color has been improving, but not as fast as Panasonic of late, IMO. Oh, I was referencing this organic sensor Panasonic has been teasing:  https://www.dpreview.com/news/1440456457/panasonic-unveils-industry-first-8k-organic-image-sensor-with-global-shutter It's supposed to have like 16 or 20 stops of dynamic range.  I'm just being a bit facetious since the wedding video above had some beautiful skin tones, but heavily clipped highlights in the windows. Everything is organic these days, it gets a bit confusing! 😉 I can't comment on the S1 in detail though.  I've only watched some Youtubes on it, but I like how it looks.  I don't think I'm going to bite though.  I don't really need full frame recording and it's not enough of an improvement over the GH5 for me to dump my kit and switch formats.  I am watching it and the Z6 to see how they evolve though.  They are the most interesting full frames at the moment for me. Yeah, watching the weird incompatibility play out between Sigma and Leica feels weird.  It's too bad there is not an open m43 equivalent for full frame.
    • Seems like the only thing holding me back is the lens mount. I just have an extensive amount of adapted lens, and many Canon lens in EOS mount, some very special rare glass too, sigh...
    • GH5 owners have said that GH5 colors were good and nothing wrong with them. The S1 does have great color and no amount of features in a camera will make up for bad color. The GH5 has better color then the A7III and A7RIII. And while were on Sony the A9 has better color then the A7 line up. What's a 20 stop organic sensor? The Z6 has that same "organic sensor". Organic a seems to be the flavor of the month. Does the S1 have the very sought after "light meter" for video and other GH5 video controls? Asking for a friend. A side note: If the S1 proves to be better at video then my Z6 then I will gladly sell my Z6 to purchase the S1. 
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