RAW SHOOTING CAMERAS
ALL THINGS RAW! Cameras including Z-Cam, RED, Blackmagic and codecs such as ProRes RAW or BRAW.
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"We believe that what the market is telling us is that in the near future, all those video features should be available from high-end to enthusiast-level videographers." What a pathetic rhetoric to say: "Market = price. We can't survive with such autistic price race. There's not so much wealthy retirees, rich daddies sons and hype specs hunters as we expected... sadly L-ogic of such annoying number of buyers is not yet in FF-Bokeh stadium nor ready to be suffocated in our L-mount necessity... We are forced to go back to old G position (of logical quality/price ratio)." -
This forum is always such a great source of information and insight so I decided to sign up because I finally get a chance to share this super low budget music video I made. I'm friendly with the band and they didn't have any money really, I did it partly as a favor to them. I had never done a music video before so I also saw it as a creative opportunity to see how far I could stretch things. And after several locations fell through it seemed like all I was going to have to work with was the bands (very small) basement/practice space for the span of about 9 hours. Set up took about 2 hours. Shot for around 6 (with one of the three members having to leave for an hour in the middle for personal reasons). Used about 60 dollars worth of black fabric to try and black out the walls of the basement. The band bought the masks and fake money for almost nothing on Amazon. Everything else I already owned from doing weddings and short films. I shot everything with a gh5-sigma 18-35 combo. Had one big light with a soft box for the main source and two small leds backlighting . Edited it myself in less than 2 weeks to meet the deadline of their album release. Hope people enjoy, I love feedback! …and for those of you that can't enjoy some goofy political satire, you've been warned lol -
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Yes, if it works like on the C200, that should be the case for raw footage. But I was talking about the encoded formats. I think Canon left out Clog2 on the C200 (for non-raw shooting) because it is designed for 10bit files... The C300 II has it. And it is very, very flat. For certain scenarios it would be usefull on the 1DX III too I‘d say. -
Just to be completely fair, there's neither recording option to hard media.
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