RAW SHOOTING CAMERAS
ALL THINGS RAW! Cameras including Blackmagic and codecs like ProRes RAW and BRAW. Accessories like external recorders and workflows including raw compatible NLEs.
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The downfall of the big guys just began - BlackMagic 2.5K Cinema Camera with 12bit RAW for $3000 1 2 3 4 11
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NAB update: Exclusive interview with Blackmagic Cine shooter John Brawley / Panasonic AF100 successor 'deleted'...? 1 2 3 4
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By Mattias Burling · Posted
It makes me so sad to hear that Canon might give in to the conservatives that demand IBIS instead of innovation. Even though its an old, clunky and obsolete technology. -
Current/favourite set up is as follows: XT3, monopod, Fuji 23mm f2 or 50mm f2 XT3, tripod, Finger Pro + Canon 50mm f1.8 or 85mm f1.8 DJI OSMO Action DJI Mavic Air Sony FDR-AX100 on tripod as backup (LED's on lightstands, 3 Sony audio recorders, 2 Rode Micro, Wireless Go) Nothing else meets my needs right now though that Sigma FP is on my radar... -
By Attila Bakos · Posted
Efficiency plays a role as well, HEVC is way more advanced in this regard. The advantage of 4:2:2 might be visible, but I'm not sure about that either. When I had the X-T2 I used it with a Blackmagic Video Assist 4K. In some cases like fine wall textures I could see a difference in detail at 200-300% magnification, but I had to zoom in to like 600-800% to see difference in color transitions (4:2:0 vs 4:2:2). Now with 4x the data rate and a more efficient codec, my guess is that the difference is almost invisible. -
By Adam Kuźniar · Posted
Oh surely it will shoot 6k. But in 15fps, with autofocus and manual exposure disabled. And the IBIS will only work with 3 supported lenses and only when shooting 480p upside down. -
I wish Canon would stop fannying about and just produce a C100 mk3 to rival the likes of the S1H. Put IBIS in and give us glorious 4K 50p (now that everyone else is moving on to 6K) in a XC10 body on steroids.
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