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RAW SHOOTING CAMERAS

ALL THINGS RAW! Cameras including Blackmagic and codecs like ProRes RAW and BRAW. Accessories like external recorders and workflows including raw compatible NLEs.

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  1. Canon FD to PL Mount

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color 3.0 for Sony cameras
EOSHD Pro LOG for Sony cameras
EOSHD 5D Mark III 3.5K RAW Shooter's Guide


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    • As a better explanation, I would like to add that: http://rubenkremer.nl/2013/08/27/theoretical-light-sensitivity-of-the-pocket-cinema-camera/ "Down to the micrometers The sensor of the 550D is 22.2mm wide and has a height of 14.8mm. It's resolution it 5.184 × 3.456 pixels. Simple math will tell us the pixels are 4,28 × 4,28µm.  The legendary Canon EOS 5D Mk. II has a large fullframe sensor, one of the (relatively) few. It's measures 36 × 24mm and has a resolution of 5.616 × 3.744 pixels. Zooming in on the actual pixels on that sensor we're getting a pixelsize of 6,41 × 6,41µm. That's 150% of the 550D's pixel size. This makes perfect sense and is in-line with the expectations. Now we're coming to the interesting part: what's going on on the surface of the Super16 sensor of the Blackmagic Pocket Cinema Camera? The sensor measures 12,48 × 7,02mm. It has a resolution of (merely) 1920 × 1080 pixels, because it doesn't need to take 21 megapixel stills - only (just over) 2 megapixel video. When we do the math we get a pixel size of 6,5 × 6,5µm. And the winner is... The Blackmagic Pocket Cinema Camera! Theoretically. Wait! What just happened there?! So, there it is. If we consider each individual pixel on the sensor as a sensor of its own - the camera with the largest sensors is actually the Blackmagic Pocket Cinema Camera. It's pixels are 1,4% bigger than those of the Canon 5D Mark II and 52% bigger than the pixels on the 550D/T2i. So theoretically, solely based on the numbers - the BMPCC should theoretically have a better light sensitivity than practically all DSLR's on the market today. " Therefore, old Pocket and Micro, with  up-scaling from 1080P to 4K, is still very good today. I hope this is now understandable.
    • The Sony F35 is also tempting at its current price point. 
    • Just a small comment on the Huawei / Leica thing : I have a P20 Pro and the 40 mpx raw files can be wonderful but you need to do absolutely massive post production work to eliminate the severe vignetting and color casts from the "Leica" lens.   
    • I'd love to buy a used Alexa as a studio camera. Why not!    Loving my stupid little 1DC again. There was something great about the effort it took for me to use it. I'm starting to go back to my original reason why I started making youtube videos again...and Im excited to be using the 1DC. Sold my EOS R and will be shooting on the GH5 and 1DC primarily now for a while.....with the exception of gear I will be reviewing.  If I can get an Alexa for $5k I'll jump on it. 
    • "Either you are mentally ill and your paranoïa is altering your judgment and brain functions," -------- ^^^^^^ This was your post you made to directly and you say you're not getting personal? You actually compare this to my sky is falling comment? Dude give me a break. I defended Nikon based on your comments alone. I never said you didn't like Nikon or the Z6 so stop telling me to look back about what you posted.  Post a reply if its not past your bedtime. I posted videos I shot with the Z6 and not many replies. A few on here jack up comments if they have an opening so I'll not no replies as a good thing.  Part of defending is not just posting a comment but by showing case studies and you mention the "recall" even though it's a service advisory so I posted issues Sony and Panasonic had that they never fixed. Knowledge is good right, you bash Nikon then do the same to the other companies. You started it with your sky is falling rant. lol
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