User reviews and test films for EOSHD Pro Color and Pro LOG

Special offer: Pro Color 3.0 & Pro LOG Premium Bundle – just $37.99 ($49.99)

Above: EOSHD Pro Color 3.0 and Pro LOG comparison shot on the Sony FS5 by Ethan Alexander

These magic settings are a MUST HAVE.

Don’t take my word for it though. I am biased! Other filmmakers and Sony users have been busy shooting with EOSHD Pro Color 3.0 and Pro LOG. It’s interesting to take a look at some of the reviews, tests and films shot this way.

Read moreUser reviews and test films for EOSHD Pro Color and Pro LOG

My guide to buying a cheap Hasselblad medium format camera

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Did you hear of the man who tried to clean every last spec of dust from his Hasselblad?

He’s dead now.

Read moreMy guide to buying a cheap Hasselblad medium format camera

Panasonic GH5 Review and exclusive first look at Version 2.0 firmware

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Firmware 2.0 for the Panasonic GH5 has been officially announced, and will be available for download at the end of September 2017. View the full press release and list of changes here

I’ve been testing a pre-production version of this on my camera thanks to Panasonic, to bring you my first impressions of the new features which include:

  • Professional 400Mbit ALL-I intraframe codec for 10bit 4K 4:2:2
  • “Open Gate” High Resolution Anamorphic Mode (4992 x 3744)
  • Hybrid Log Gamma with view assist feature for HDR shooting
  • New and improved autofocus engine for video
  • Performance optimisations and bug fixes

Read on to find out what it’s like to shoot with…

Read morePanasonic GH5 Review and exclusive first look at Version 2.0 firmware

Sigma’s secret weapon – SD Quattro review, an incredible filmic 8K timelapse tool with infrared capabilities

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I’ve been shooting timelapses and infrared stills with the Sigma SD Quattro mirrorless camera.

Foveon is a future bayer slayer. Sigma could end up ruling the sensor market for high end cameras in 10 years.

Read moreSigma’s secret weapon – SD Quattro review, an incredible filmic 8K timelapse tool with infrared capabilities

Panasonic G85 review – is there any need to get an Olympus E-M1 Mark II for video?

Panasonic G85 with Canon 24-70mm F2.8L II

Micro Four Thirds is increasingly going up-market and into pro territory, and unfortunately new Panasonic and Olympus cameras are getting more and more expensive by the day.

Thankfully the G85 is a pro camera without a pro price – it represents a genuine advance over the Panasonic GH4 with cleaner low light performance, better automatic white balance and of course 5 axis in-body stabilisation.

Read morePanasonic G85 review – is there any need to get an Olympus E-M1 Mark II for video?

Embarrassing threesome – Mini reviews of the Panasonic FZ2500, Sony RX100 V and Canon EOS M5

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I’ve been considering the Panasonic FZ2500, and have also tried out the long awaited EOS M5 that nobody was particularly waiting for.

Read moreEmbarrassing threesome – Mini reviews of the Panasonic FZ2500, Sony RX100 V and Canon EOS M5