Kendy Ty and the T2i – one guy doing amazing things with a 5 year old DSLR

A Drop In The Ocean:

Behind The Move:

Kendy Ty shoots with a Canon 550D / T2i and Sigma 30mm F1.4 (old version). The results are staggering considering the ‘low-fi’ performance of the gear. If ever there was a spur to get out and shoot something, this is it…

Read moreKendy Ty and the T2i – one guy doing amazing things with a 5 year old DSLR

Available now – The EOSHD Sony A7 Series Shooter’s Guide to Full Frame Lenses

The EOSHD Sony A7 Series Guide to Full Frame Lenses


Available now, special price of $19.99

Recommended lenses for the Sony A7 / A7R / A7S – A Reference Guide by Andrew Reid

Sony’s full frame mirrorless cameras bring with them a new world of possibilities for lenses.

Read moreAvailable now – The EOSHD Sony A7 Series Shooter’s Guide to Full Frame Lenses

Sony A7R – full frame T0.95 with the SLR Magic HyperPrime (and special guest, Leica Noctilux 50mm F0.95)

Sony A7R and SLR Magic HyperPrime 50mm T0.95

EOSHD is launching a Shooter’s Guide for lenses on the Sony A7R – pre-order it here to get $10 off the launch price

Currently the best (read expensive) full frame lenses for low light are the Zeiss Otus 55mm F1.4 and the Leica M Noctilux 50mm F0.95.

How does the SLR Magic HyperPrime 50mm T0.95 rate as an alternative?

Read moreSony A7R – full frame T0.95 with the SLR Magic HyperPrime (and special guest, Leica Noctilux 50mm F0.95)

Anamorphic sample footage shot with the SLR Magic Anamorphot – and which lenses go best with it?

(The anamorphic footage starts around 10 seconds in)

The new SLR Magic Anamorphot 50 jointly developed with the help of EOSHD is here in it’s final non-prototype form and I’ve shot the above video with it (Sony FS100). This should give you an idea of how the flare moves around during a shot and the general anamorphic aesthetic you are able to get with the adapter.

Also part of the fun of the adapter is that like the Iscorama it sings with certain lenses, which all have a different look. I’ve been trying it out with a bunch of them…

Read moreAnamorphic sample footage shot with the SLR Magic Anamorphot – and which lenses go best with it?

On test – the final SLR Magic Anamorphot 50 x 1.33

SLR Magic Anamorphot 50 1.33

SLR Magic Anamorphot 50 1.33

View 10 frames from a rehearsal shoot with Bunny Suit, a Berlin based band I’m currently working with on a music video

Disclosure: I have worked closely with SLR Magic in refining the flare and have a close relationship with SLR Magic, but I am approaching the lens objectively in my articles.

It’s here! The finished lens.

Read moreOn test – the final SLR Magic Anamorphot 50 x 1.33

Full frame kaleidoscopic video with the Sony RX1

http://vimeo.com/77825876

The Sony RX1 has amazing stills but awful video! I began thinking how could I use this otherwise great little camera for video? The answer is to rough up the image beyond comprehension, with trick filters. Here’s how I did it.

Read moreFull frame kaleidoscopic video with the Sony RX1

Blackmagic Pocket Cinema Camera first impressions

Blackmagic Pocket Cinema Camera

Camera supplied by CVP who came through and fulfilled my pre-order from NAB in early April. Personal note: I was saddened to learn of the death of CEO Phil Baxter earlier this month and in Phil’s memory a fund has been set up which will donate a pot of cash to the Make A Wish Foundation UK charity. This charity helps fund memorable experiences for young people fighting life threatening illnesses. Donate here even just a small amount helps further the dreams of those kids.

The Blackmagic Pocket Camera is finally at EOSHD HQ, and comes from one of the first new batches to ship since the white orb sensor calibration issue was resolved. Have they fixed it? Let’s not get too caught up in things like that for the moment. For me this camera is all about the lenses.

I’ve been a Micro Four Thirds shooter since day one with the G1 back in 2008. This was the first camera to tempt me away from Canon and over the last 5 years I’ve been building a rather ridiculously obsessive collection of Micro Four Thirds glass for my GH1, GH2 and lately the GH3, as well as c-mount glass.

The best c-mount glass is mainly vintage Super 16mm from the 60’s and 70’s. Classics like the Kern Switar 26mm F1.1 for instance, which an ex-BBC cinematographer once described to me as being “made by spacemen” such was the performance before the technological era of computer assisted optics design.

Read moreBlackmagic Pocket Cinema Camera first impressions