SLR Magic Rangefinder footage – kiss goodbye to lens breathing AND Kowa anamorphic goes single focus

I have been out shooting with the SLR Magic Rangefinder.

Key features:

  • It completely takes over focus from any lens
  • Solves lens breathing (reduces to such low level it isn’t noticeable)
  • Adds cinema standard 240 degrees focus ring with FF gearing and hard stops
  • Reduces minimum focus distance of all anamorphic lenses to 1m (even long-throw projector lenses)

For those who shoot anamorphic especially this will be music to your ears. These shooters will also be familiar with diopters, which are used to correct aberrations and achieve very close focus. Effectively the SLR Magic Rangefinder is a variable diopter and thus a rather brilliant concept as it is capable of taking over focus from the taking lens entirely from 1m (3ft 6″) to infinity.

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World premiere – SLR Magic APO 50mm T2.1 PL mount cinema lens

SLR Magic APO HyperPrime CINE 50mm T2.1

Hong Kong, China (September 12, 2014). SLR Magic will present a new CINE lens to the public from the APO-HyperPrime lens family in the upcoming Photokina 2014 fair in Cologne at the SLR Magic booth (Hall 5.1, L-011). The SLR Magic APO-HyperPrime CINE 50mm T2.1 is the first lens of the family. It achieves outstanding images under challenging lighting conditions. When taking pictures with many image-dominant, open light sources, it is common for correction defects to show up. Because the SLR Magic APO-HyperPrime CINE 50mm T2.1 is an apochromatic (APO) lens, longitudinal chromatic aberrations are corrected by its unique optical design and special selection of optical elements. The color defects are therefore significantly lower than the defined limits. Bright/dark transitions in the image, and especially highlights, are rendered with no colorful artifacts.

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Official announcement – Metabones Speed Booster ULTRA

Speed Booster ULTRA

The Speed Booster ULTRA features the latest evolution of optics from Caldwell Photographic USA and is available for E-Mount and Fuji X-mount cameras (to cover APS-C or Super 35mm recording areas).

The new glass brings with it an increase in performance – sharper corners and better contrast. The increase in performance over the original Speed Booster is made possible by the use of cutting edge high index tantalum glass, in 5 elements in 4 groups; the old version of Speed Booster will be phased out.

I currently have a review sample of the ULTRA, I’ll publish some sample images later today!

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