The Contax Zeiss Distagon ‘Hollywood’ 28mm F2.0 is a classic fast wide for full frame and is incredible on Super 35mm as well. Wide open it’s one of the sharpest F2.0 wide angle lenses available and it has very little distortion. The Contax Zeiss version fetches $800 on eBay but there’s a $60 wolf in sheep’s clothing called the Pentax PK 28mm F2.0 which has a fascinating story behind it.
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Download my full resolution 6000×4000 photos from the Sony RX1 The Sony RX1 is a compact camera that beats Leica and Hasselblad for image quality.
Spot the difference! Those crafty Chinese are at it again! See the lenses on eBay here Cinematics have started offering ‘film lenses’ which are Zeiss Compact Prime copies – cinema modified Zeiss ZE (Canon mount) full frame lenses at up to one quarter of the price of a real Compact Prime. Optically they remain the same as standard ZE but as you can see from the image above a CP.2…
Zeiss are to release a set of new 2x T1.5 anamorphic lenses according to the Film & Digial Times via Hot Rod Camera’s Illya Friedman on the EOSHD Forum From the magazine: “Christian Bannert took great pleasure in asking me to guess the third surprise coming from Carl Zeiss. An 1800 mm T1.3 lens perhaps?…I had no clue. “We’re back in the Anamorphic Lens business,” he said.
The NEX 5N’s APS-C sensor behind a mirrorless mount opens up some new possibilities when it comes to adapting lenses for video. In part 1 I will cover recommended adapters and small walk-around street photography lenses which don’t compromise the compact size of the NEX 5N as a b-roll cam and digital rangefinder. There’s only one Sony pancake at the moment and it’s not very good so these are the answer.…
New Sony cameras – all the details with a video mode emphasis on EOSHD Sony A77 official Sony NEX 7 official Sony VG20 – worthy challenger to the FS100? Sony NEX5N – video dark horse? A77 – breaking news DPReview has full resolution 6400×4000 ISO samples from the A77 up to 12800. DPReview reports that switching to movie mode on the A77 results in a dramatic crop of the sensor.…
The official announcement of the A77 is due this week. This is a camera that significantly outperforms the current video DSLR top guns Canon 7D and GH2 in every department. If you are going to shift systems your Canon or GH2 compatible lenses (and even Nikon) will be paperweights on the Alpha because of the long flange distance of the mount. Also Sony’s lens range isn’t exactly huge and third…
I recently picked up a Carl Zeiss 50mm F1.4, not the newer one but an older Rollei mount similar to the Contax Zeiss version. The HFT coating was what Zeiss called T* coating on the Rollei lenses. It was designed to go on a Rolleiflex SL35 35mm film camera.