This test was conducted jointly with my good friend and neighbour Rudi at Slashcam – you can read his take on it in German / in English. In the battle of the 1080p cameras, the game has changed. Here’s how the 5D Mark III in raw recording mode compares to the best 1080p output from the Canon C300 and 1D C.
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[vimeo]http://vimeo.com/61364609[/vimeo] Read more in the first part of this article Back in November I tested the Ikonoskop A-cam dll with Rob of Slashcam.de and Ludwig Reuter of HD Video Shop here in Berlin. We spent a few hours comparing it to the Blackmagic Cinema Camera – here’s how it turned out.
[vimeo]http://vimeo.com/60135187[/vimeo] Let’s pit the $700 Nikon D5200 against the $3000 Canon 5D Mark III and see which one comes out alive.
Above: the Epic with anamorphic lens In the second and final part of this mini-shootout with the Epic and Blackmagic Cinema Camera, we take a look at the resolution chart.
How does the Blackmagic Cinema Camera compare to an established film industry standard, the Red Epic? Along with ReWo and MBF Filmtechnik in Berlin we decided to find out.
[vimeo]http://vimeo.com/53821829[/vimeo] In a joint shootout with Slashcam in Berlin, EOSHD put the Blackmagic Cinema Camera into a bear pit against all rivalling cameras between $500 and $4000. It was a clear day and the results are just as stark. Download the full 2.5K shootout video. Here’s my verdict on which camera you should buy – based purely on image quality. The following cameras are in this test: Blackmagic Cinema Camera (retail) Panasonic…
The third and final part of Zacuto’s debate provoking documentary on cinematography and cameras is out. Part 3 is to me kind of like Revenging the Revenge because it goes back to a non-creative scientific (empirical) test of the cameras. They appear in order of cost from the $700 iPhone to the $70,000 Sony F65 and each are treated with the same lighting, similar settings and the same grading to…
Francis Ford Coppola gives his answer in the new Zacuto Shootout, choosing in order of preference the Panasonic GH2 (lit by Colt Seaman), Alexa and Epic Get the most from the GH2 – Read the EOSHD GH2 Shooter’s Guide The results are in from Zacuto’s Revenge Of The Great Camera Shootout 2012. The majority of those at the cinema screenings – including Francis Ford Coppola preferred Colt Seaman’s lighting and…