Browsing: prototype

Comment on the forum In Apple’s attempt to overturn RED’s claims over visually lossless compressed raw video, the US Patent Office has published documents submitted by RED. These explain their side of the story with particular regard to REDCODE. If RED can continue to prove that the approach to their codec was novel, RED will win and Apple will have to compensate RED or make a deal in order to…

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Comment on the EOSHD Forum Rumours out of Apple WWDC 19 talk about both Canon and Nikon 8K cameras being used to shoot ProRes RAW 8K footage for Mac Pro demos. Footage from a documentary about Nikon ambassador Ami Vitale photographing Kenya was supposably shot in ProRes RAW 8K and the speculation was she shot with an as-yet unreleased Nikon Z9 with 8K output to an external recorder. Actually the…

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Last year Sony showed a prototype hybrid stills / 4K video DSLR along with a modular-looking 4K cinema camera. Now a few more clues have come around. SonyAlphaRumors reports are saying the 4K DSLR will have an interchangeable lens mount for E-mount, A-mount and PL-mount. And yesterday US cinema gear rental / sales shop AbelCine teased the shot above, which may or may not be related – only confirming it’s from Sony. So what…

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[vimeo]http://vimeo.com/74457964[/vimeo] In part 2 of the SLR Magic anamorphic coverage we’ll look at how the prototype lens looks and performs on the Blackmagic Cinema Camera. There’s also a poll in which you can help influence the final lens flare this anamorphic produces.

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At the beginning of the IFA show in Berlin, Andrew from SLR Magic dropped by at my studio and dropped off the V2 and V3 anamorphic prototype lenses the company are working on. As long time EOSHD readers will know I am a passionate advocate and shooter of anamorphic. The SLR Magic anamorphic is the first new lens of it’s kind to be announced in many years.

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SLR Magic are working on a 1.33x anamorphic adapter. Hong Kong based shooter Edwin Lee has tried it out. The lens is ‘compact’ and attaches to the front of your prime. SLR Magic say it works best currently with their 35mm F1.4 on Micro Four Thirds and the Canon EF 50mm F1.4 on full frame.

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[vimeo]http://vimeo.com/53623079[/vimeo] Above: A message from Andrew of SLR Magic SLR Magic are stepping into the world of anamorphic lenses. Developed afresh, this will be a 100% new custom designed anamorphic lens for filmmakers but priced accessibly for DSLR filmmakers as well as pros. The footage above is from the early prototype and I have been speaking to Andrew Chan of SLR Magic about the early development of the lens.

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