Above: Cate Blanchett receives some all-too-real makeup on the set of The Hobbit Peter Jackson shot The Hobbit: An Unexpected Journey at 48 frames per second (HFR) in 3D. So what is the verdict on HFR technology… More immersive? Helps the story? More beautiful?
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Peter Jackson is unfazed by criticism The Hobbit looks un-cinematic by saying the clips shown at Cinemacon were unfinished and their duration not long enough for the audience to acclimatise.
At the moment cinema purists around the world are getting out of their beds on the wrong side. Two prominent filmmakers are attempting to squash the gold standard of cinema and home displays are taking all sorts of unpleasant turns with high frame rates and 3D helping to shift sets in the way that high megapixels help the unwashed masses buy cameras.
This is a response to Stu Maschwitz / who wrote this ProLost blog a very well articulated piece on James Cameron and Peter Jackson’s plans to abandon 24p.