Introducing EOSHD Pro Color EOSHD Pro Color is a highly optimised in-camera profile for your Sony camera, to deliver punchy Canon-like 4K and 1080p straight out of camera. Dump the default settings and fix a host of colour issues. Apply once. Shoot. These colour correction settings are easy to apply and fundamentally change the image processor’s approach to color and white balance, lending an artists’s eye to the camera and the way it handles ambience…
Download now for just $9.99 ($29.99 usual price) The EOSHD C-LOG and Film Profiles Pack is now available and works in both video and stills mode – on all Canon DSLRs. Crafted using my Canon 1D C as a development camera, the EOSHD Film Profiles pack installs “Canon LOG” to cameras previously without it, plus a range of film simulation modes to DSLRs such as the 5D Mark IV, 5D Mark III, 1D X Mark II…
Since the issue of black levels in LOG mode on the Leica SL was raised on EOSHD, Leica have reached out to me. Here I can reveal Leica are working hard on video related refinements. Last week in Berlin, product manager Steffen invited me to see the new firmware in action.
UPDATE: Subsequent 2016 firmware updates address the issues with L-LOG highlighted in this earlier 2015 article The Leica SL has hit Berlin already and retail units will begin to ship in just over a week. I took the final camera in my hands to suss it out from a video point of view.
Comment on the forum What separates the colour science of photography companies like Canon, Nikon and Fuji from the approach taken by electronic engineering firms Sony, Samsung and Panasonic? EOSHD has a theory.
Panasonic today made the V-LOG firmware update for the GH4 official. It is a paid update $99? Absolutely. I will be buying it. It is affordable enough for enthusiasts. Pros especially must be very thankful. The last time the paid to add LOG via a firmware update it cost $3000 with the Sony F3!
Give your Panasonic GH4 LOG already with the EOSHD LOG Converter. The LOG Converter includes an instruction manual and my Canon 1D C style cinematic LUT, which is designed to mimic the Canon colour science of the 1D C for a more cinematic colour rendition on the GH4.
I have just released a Setup Guide for the Samsung NX1. This guide makes the camera compatible with a range of LUTs so you can more easily apply stylistic moods to 4K footage in post. Along with the LOG conversion workflow, the guide explains the best settings for the NX1 and what you must know before using it for video work.
Above: 240fps at 120mph by Bill Totolo shot on the FS700 Adam Wilt over at ProVideoCoalition has done the first really comprehensive look at the Sony FS700’s image quality with a lab test. So far we’ve had field reports but nothing that goes into depth about image quality. How does it perform?