Cameron Laing / Sony A7S
Latest News

A camera test with a difference – multicam shoot for “Bunny Suit” with the Sony A7S, Nikon D750 and 5 others

April 2, 2015 Andrew Reid (EOSHD)

Berlin based band Bunny Suit (follow here on Facebook / SoundCloud) recently went into Temeplton Studio to lay down some tracks. We decided to shoot a live video of the recording which would then be synced up perfectly with the final mix of the tracks in post. The Sony A7S in this shoot is graded using the lovely “Manchester” LUT from James Miller’s Deluts pack. But there were 6 other cameras backing it up. Can you tell which is which!?

Reviews

Evolving Sony A7S Review (Part 1)

July 21, 2014 Andrew Reid (EOSHD)

I’ve had the A7S for over a week now and can share my initial thoughts, even some firm conclusions. Here’s one I’ve come to already – the Sony A7S is the best consumer camera Sony have ever made. For $2500 the video performance of the A7S sits between the FS700 ($8000) and F5 ($17,000) yet the full frame sensor lends more character and allows for groundbreaking low light performance.

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Latest News

Sample video – comparing the Sony RX10, A7R and FS100

November 23, 2013 Andrew Reid (EOSHD)

Download the original file at Vimeo Note: This is an early-days test I did quickly before a shoot today. A larger one encompassing more cameras (GH3, D5200, 5D Mark III, Blackmagic Pocket Camera) and scenes will be on EOSHD during the coming week. The Sony RX10 appears to play in the same ballpark as the Sony FS100. Is this the new budget king for semi-pro videographers?

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Reviews

Metabones Speed Booster adapter – full review

January 22, 2013 Andrew Reid (EOSHD)

Buy the E-mount Metabones Speed Booster – $599 for Canon EOS lens adapter, $399 for others The Metabones Speed Booster adapter brings the full frame look to Sony mirrorless APS-C and Super 35mm E-mount. (Indeed it will bring the Super 35mm look to Micro Four Thirds but not until March). It also gives you an extra stop of light. F2.8 becomes F2.0 and F2.0 becomes F1.4. F1.2 becomes a lightning fast F0.90. It would appear the full frame sensor is now rather pointless. Is there a catch, a trade off in image quality?

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Anamorphic

LOMO anamorphic goes Super 35mm – my music video shot on the FS100

November 27, 2012 Andrew Reid (EOSHD)

Get Dreamleaver by Herdwhite on iTunes Embedded video not showing? Click here to view or download on Vimeo A big thanks to Ciecio7 for donating his superb OCT19 to E-Mount lens adapter for this shoot. This is available on eBay. We shot this with the young German movie actress Lili Zahavi (IMDB) and theatre actor Niklas Brubach. A big thanks to both of them for their performances. This is a music video for my fellow friend from Manchester “Herdwhite” whose track Dreamleaver was recorded here in Berlin. The Sony FS100 has a nice image but it isn’t as organic as the Blackmagic

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Latest News

The EOSHD Blackmagic Cinema Camera Shootout

November 19, 2012 Andrew Reid (EOSHD)

In a joint shootout with Slashcam in Berlin, EOSHD put the Blackmagic Cinema Camera into a bear pit against all rivalling cameras between $500 and $4000. It was a clear day and the results are just as stark. Download the full 2.5K shootout video. Here’s my verdict on which camera you should buy – based purely on image quality. The following cameras are in this test: Blackmagic Cinema Camera (retail) Panasonic GH3 (pre-production v0.5) Panasonic GH2 (hacked) Sony FS100 Canon 5D Mark III Sony NEX VG-900 (full frame E-mount camcorder)

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Latest News

Introduction to LOMO OCT 19 cinema lenses on the GH2 and FS100

October 16, 2012 Andrew Reid (EOSHD)

Above: Lily & Niklas magic hour amour, shot with OCT 19 LOMO 35mm anamorphic The OCT19 mount is a Super 35mm cinema camera mount from Russia, essentially was their equivalent of PL mount. Long time EOSHD readers will know I am in love with the look of OCT 18 mount lenses, but mechanically speaking they are very basic. OCT 19 lenses are improved mechanically, much more solid.

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Creative Filmmaking

Light for free using natural light sources

August 21, 2012 Andrew Reid (EOSHD)

Imagine if every photo was lit using a flash gun, well the same goes for cinematic scenes. Often some of the most interesting and varied light is already right in front of you. Not everything has to be studio light rig based. I don’t think of ‘lighting a scene’ as always directly controlled, often it is wild. Lighting you can control is only half of the cinematographer’s job and so many films make use of the sun as a key light. Terrence Malick has based a career on magic hour light! The world of natural light is expansive and varied.

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Creative Filmmaking

Revenge of the Zacuto Shootout 2012 – Part 3 review

August 18, 2012 Andrew Reid (EOSHD)

The third and final part of Zacuto’s debate provoking documentary on cinematography and cameras is out. Part 3 is to me kind of like Revenging the Revenge because it goes back to a non-creative scientific (empirical) test of the cameras. They appear in order of cost from the $700 iPhone to the $70,000 Sony F65 and each are treated with the same lighting, similar settings and the same grading to match as closely as possible.

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Latest News

Sony NEX hack is go – 46Mbit 1080p tested

August 11, 2012 Andrew Reid (EOSHD)

I have set up a dedicated forum for the Sony NEX Hack here A guy named Someone 1.00 is able to hack the NEX series of Sony mirrorless cameras for higher bitrates in video mode and more. The video after the break shows the hack in action, and proof that it can be done. Discuss the hack here and support Someone 1.00 in his efforts.