Rodney Charters ASC on shooting Blackmagic and my thoughts on the new URSA Mini 4.6K

Here’s Rodney Charters (DoP, 24) musing on his use of the Blackmagic Pocket Cinema Camera as a POV B-camera to the Alexa.

(The Pocket has also recently been used separately on Warner Bros motion picture American Sniper).

Meanwhile the new Blackmagic URSA Mini 4.6K has begun to find its way into the hands of DPs with beta firmware. Daniel Peters is the latest to shoot a mini-project with it which you can see below along with my opinion of where Blackmagic is going with the new camera.

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BMCC variant Speed Booster works on GH3 and GH4 to give 1.28x crop, near full frame

BMCC Speed Booster on the GH4

I had hesitated to try this for so long, but finally today a brave EOSHD reader sent me a tweet saying he had fitted his BMCC Speed Booster (with protruding rear-glass) on his GH4. It just goes straight on. First a BIG disclaimer. Speed Booster adapters have adjustable glass which can sit closer or further away from the sensor to fine tune infinity focus. On some adapters this will mean potentially it may clash against the inner housing of the mount and be damaged on a Micro Four Thirds stills camera. Therefore I do not take responsibility for any loss or damage if you try this.

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Blackmagic respond to EOSHD about supporting existing cameras – audio levels and histograms on the way!

Above: Prospect, a short film shot on the 2.5k Blackmagic Cinema Camera

The Blackmagic Cinema Camera was the first foray for the company into the camera market and was announced 2 years ago this month. I know many users were expecting more from firmware updates in the meantime to add basic features and also features promised by Blackmagic themselves. Many were expecting these to be announced this week at NAB. Instead Blackmagic revealed new cameras, one in particular the URSA being packed with new features.

So I asked Blackmagic some tough questions and here are the answers…

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