Posts Tagged ‘xavc’

Only a few years ago S-LOG was a $3800 upgrade for the Sony CineAlta F3, itself a $15,000 camera. S-LOG made its debut on the Sony F35, a workhorse of Hollywood.

Now Sony have put this on a $2500 consumer camera along with the best full frame sensor I have ever used for video. How good is it? Very!!

I am sharing a pack of LUTs for the A7S which can be applied in Premiere, Resolve, etc. for an instant cinematic look to your A7S S-LOG 2 footage.

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Three LUTs are provided in the zip. Dynamic – for best dynamic range, will suit a low contrast shot requiring high dynamic range and plenty of shadow detail. Also good for low light. Vivid will give a punchier look to those shots that benefit from it like a sunset and where some dynamic range can be scarified for higher contrast and saturation. S-GAMUT is for when shooting S-LOG with the Color Mode of S-GAMUT and compensates for the purple tint to reds I find I am getting in this mode. For the Dynamic and Vivid LUTs you must set the camera colour mode in PP7 to ITU709 Matrix.

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Sony F5 / F55

Sony are set to shake up the digital cinema market with a specs war, at less than half the price of the Epic and also at the C300 price point of $15k.

The Sony F5 (priced to compete with the Canon C300) takes the compact form of the FS100 / FS700 but adds a Red-style modularity and the more logical control layout of the Alexa. The F55 has the same ergonomic design but even more importantly the more expensive camera features an utterly ground-breaking new sensor with a global shutter for the first time on a digital cinema camera.

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses
The EOSHD Panasonic GH3 Shooter's Guide
The EOSHD Anamorphic Shooter's Guide - Second Edition
More EOSHD Guides