Posts Tagged ‘super 16mm’

Bolex H16

Above: EOSHD picked up this Bolex H16 for under 400 euros – it came with a complete set of Schneider Xenon lenses

I love the 16mm and Super 16mm format and there are two cameras on the horizon that could offer very exciting images. Digital Bolex with their global shutter, raw and extensive feature set then Blackmagic with their diminutive Pocket Cinema Camera which shoots ProRes and raw.

With only weeks to go until the expected Pocket Cinema Camera shipping data I’ve been stocking up on c-mount lenses. Here’s a guide to which ones work, which ones don’t, and how to spot a bargain.

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Blackmagic Production Camera 4K

For the second NAB in succession Blackmagic are bulldozing down the image quality / price barrier for film production. 4K compressed raw, global shutter and Super 35mm was the unique preserve of Sony with the F55 until today, and that was a $36,000 camera. This is a $4000 one. Gone is that extra margin – unsettling stuff for the big guys. Here’s my own personal look at the cameras and the consequences.

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Canon 8-64mm F2.4 PL

UPDATE: Shane now seems to say it vignettes at 8-12mm. Take all this with a pinch of salt until he makes his mind up

Usually most Super 16mm cinema glass won’t cover the larger sensor in the Blackmagic Cinema Camera. The sensor is closer in size to the Panasonic GH3. However Shane Hurlbut has had a rather useful discovery, in shooting with the Canon 8-64mm F2.4 on the BMCC he found it covers the sensor just fine without vignetting.

Canon 8-64mm T2.4 PL / Arri on eBay US

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses
The EOSHD Panasonic GH3 Shooter's Guide
The EOSHD Anamorphic Shooter's Guide - Second Edition
More EOSHD Guides