Posts Tagged ‘iscorama’

The Canon 1D C review

Friday, 26 April, 2013 16:11

Iscorama anamorphic on the 1D C and my test footage at Vimeo

I shot with the Canon 1D C and Canon C100 Cinema EOS cameras recently with SlashCam in Berlin. The 1D C is the most Jekyll and Hyde camera I’ve ever used and a difficult camera to review. The 1D C is a marriage of beautiful 4K images and an unwilling partner who hasn’t shifted an inch to accommodate it.

Learn more ...

Filmmaker Andrew Wonder on anamorphic and modding his Iscorama 36

Friday, 09 November, 2012 04:27

Filmmaker Andrew Wonder (Undercity) has had some interesting modifications done to his Iscorama. Not a cheap modification but re-housed as a cinema lens by Van Diemen and optimised for closer focus.

The test above is shot on the 5D Mark III and there’s more from Andrew below, on his ‘Wonderscope’ anamorphic.

Learn more ...

Introduction to LOMO OCT 19 cinema lenses on the GH2 and FS100

Tuesday, 16 October, 2012 18:07

Above: Lily & Niklas magic hour amour, shot with OCT 19 LOMO 35mm anamorphic

The OCT19 mount is a Super 35mm cinema camera mount from Russia, essentially was their equivalent of PL mount.

Long time EOSHD readers will know I am in love with the look of OCT 18 mount lenses, but mechanically speaking they are very basic. OCT 19 lenses are improved mechanically, much more solid.

Learn more ...

Shooting in London on the 5D Mark III with Iscorama 36 1.5x anamorphic

Sunday, 08 April, 2012 16:50

Feel like I’ve had a breakthrough with the 5D Mark III on this shoot.

Learn more ...

Sneaking in the anamorphic back door with CineMorph

Sunday, 25 September, 2011 17:50

Buy it now (in US)

Grab the new EOSHD Anamorphic Shooter’s Guide 2nd Edition just $19.99!

The Cinemorph adapter is a very simple custom built filter for $140 + shipping with a cat’s eye front and flare generator. It is designed not just to simulate the flare of anamorphic lenses but the stretched bokeh. Here, EOSHD tests the adapter against a real $3000 anamorphic lens for widescreen cinematic images using a Panasonic GH2 and Sony NEX 5N.

Learn more ...