Posts Tagged ‘footage’

All footage by Ed David on the EOSHD forum

I’m surprised at how nice the quality is from APS-C (Super 35mm) mode on the A7S. I expected it to be a lot softer! There’s no signs of significant moire or aliasing either.

The smaller window from the sensor allows the shutter to expose the whole pixel readout more quickly than in full frame 12MP mode, so less jello for us.

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Above: GH4 test footage shot in 4096 x 2160 Cinema 4K DCI mode. Academy 1.85:1 aspect ratio. CineLikeD profile for best dynamic range.

Tip jar EOSHD just $5 if you think this article is useful

Below: Cooke S4i Mini (uncoated Panchro/i version) on the GH4 with Ciecio7 PL adapter (buy it on eBay here)

GH4 Cooke PL lens

Andrew Reid (EOSHD) and Frank Sauer (Filmmaker) are shooting with the Panasonic GH4

On Day 1 of shooting with the GH4 we did a location scout at the Spreepark abandoned theme park in Berlin. The park has granted us paid access to do a proper shoot with the free runners so I am going to save the location scouting footage for when it comes to that edit and the final piece. Frank is near Frankfurt now with the GH4 to shoot a piece with a new aerial drone and gimbal (similar to MoVi) and I have been out shooting with the GH4 around Berlin to get an idea of the image quality when it comes to 4K. I’ve also tried grading the 100Mbit/s 4K codec in Premiere to see how well it holds up. Here are the results in glorious 4K!

Disclaimer 1: This GH4 is a pre-production model. Firmware version is v0.5. The image quality may not represent the final camera.

Disclaimer 2: Because I don’t have NDs big enough or good enough for the Cooke lenses yet, most shots were shot at higher shutter speeds than 180 degrees (1/50)

Tip: if you don’t have a Vimeo Plus account to download the original file and pixel peep I’ve uploaded some short GH4 4K clips here in ProRes LT format. Try grading them and looking at the detail 1:1!

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Be sure to check out the GH4′s new trick – internally recorded ’1080p’ 4:4:4 with 10bit luma, at EOSHD here

One of the first to receive a Blackmagic Production Camera in the UK (hoping to get mine next week for a review, shipments allowing) is James Miller, Philip Bloom’s friend and frequent shooting partner. As this impressive footage shows even though the camera is designed for general production rather than cinema, I am not missing that BMCC dynamic range here. The footage looks wonderfully cinematic and the camera appears to be a powerhouse of image quality, given the right handling, good light and material.

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“The Pocket” is a polarising camera. It’s as tempting to rave about the camera as it is to criticise it for obvious shortcomings.

However – bottom line is that this is an extraordinary tool. It is 90% of what I loved about the Blackmagic Cinema Camera without the bulk and strange form factor. In my mind it replaces the Panasonic GH2 as the cult favourite of prosumer video because it has an absolutely beautiful film like output and a very accessible price.

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In part 2 of the SLR Magic anamorphic coverage we’ll look at how the prototype lens looks and performs on the Blackmagic Cinema Camera.

There’s also a poll in which you can help influence the final lens flare this anamorphic produces.

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses
The EOSHD Panasonic GH3 Shooter's Guide
The EOSHD Anamorphic Shooter's Guide - Second Edition
More EOSHD Guides