Here is a sneak preview of whats to come. Please be sure to download the 50Mbit constant bitrate clip rather than judging it from the highly compressed Vimeo stream.
Here is a sneak preview of whats to come. Please be sure to download the 50Mbit constant bitrate clip rather than judging it from the highly compressed Vimeo stream.

First and foremost – a huge thank you to James Miller for the inspiration and guidance
Disclaimer: I accept no liability, nor can I recommend this risky operation on your camera unless you are totally insane!
Over Easter I disassembled my 5D Mark III. The aim is to remove the optical low pass filter that sits in front of the sensor block, a drastic operation pioneered by James Miller last week. Removing it increases resolution in video mode and makes for a sharper image with no digital sharpening in post required.
With results that good on offer, why do you need to be bonkers to try it? Read on to find out how the teardown went…

Good news for Nikon D800 owners. Mosaic Engineering are currently working on anti-aliasing filter for the camera. Because the sensor line-skips to produce HD video, the custom-designed optical low pass filter should almost eliminate any moire and aliasing on the D800 if it works as well as it did on the Canon 5D Mark II.
Update: James has had a full day’s shooting now with the modified 5D Mark III. Check out the footage above.
Warning: please wait for this to all shake out. Don’t hastily modify your 5D Mark III without the necessary technical knowledge and research. Opening the camera voids the warranty and risks irreparable damage.
James Miller has decided to open up his brand new Canon 5D Mark III, tear it down and remove the blurring anti-aliasing filter from in front of the sensor. It does seem like a particularly strong optical low pass filter on this camera, which produces very soft results in video mode.
A great many have forgotten what an absolute beast the 5D Mark II is.
A power house of image quality with a massive sensor, Hollywood film sequences and entire episodes of prime time network TV have been shot on it purely for the way it looks. But it does have one big flaw.
This is now much reduced with the VAF-5D2.