Posts Tagged ‘andrew wonder’

Turning blue blood green with raw on the 5D Mark III. A dying woman wakes deep in a strange place, a wounded dancer wanders crumbling hallways. All footage was shot between 1250 and 5000 ISO.

Andrew Wonder (Undercity / blog) has just released a narrative short film shot in anamorphic (a modified Iscorama called the Wonderscope) on the 5D Mark III in raw. Here is a guest post from Andrew on the making of – and his take on the DSLR raw revolution.

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The Canon 1D C has taken to the skies for the first time thanks to Perspective Aerials founder Anthony Jacobs, who has just stepped up their drone to fly heavier cameras. The new rig has a custom built RC follow focus by Anthony Lenzo of Air Sea Land (ASL).

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Check out more of Andrew Wonder’s work here

Director, cinematographer and DSLR user Andrew Wonder talks to EOSHD about his latest anamorphic spot for G.E…

The technology behind the shoot is rather interesting. Two Sony F3 cameras mounted on the front of the train, remotely controlled and recording to e-sata drives in the control carriage, kitted out with Joe Dunton / Panavision anamorphic lenses from London.

Joe Dunton is a British Bafta winning camera equipment guy who has always held a great fascination with anamorphic lenses, and was one of Stanley Kubrick’s closest collaborators after A Clockwork Orange in the 70′s and provided Kubrick with his lenses on Eyes Wide Shut.

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Filmmaker Andrew Wonder (Undercity) has had some interesting modifications done to his Iscorama. Not a cheap modification but re-housed as a cinema lens by Van Diemen and optimised for closer focus.

The test above is shot on the 5D Mark III and there’s more from Andrew below, on his ‘Wonderscope’ anamorphic.

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The EOSHD Sony A7 Series Guide to Full Frame Lenses
The EOSHD Panasonic GH3 Shooter's Guide
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Anamorphic Shooter's Guide - Second Edition
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