Posts Tagged ‘Cinema EOS’

Arri AMIRA

Full information on the AMIRA can be seen at CVP

Looking at the Oscar nominations recently at EOSHD, with not a Red camera in sight, it’s clear Arri are a run-away success in the filmmaking industry. Now Arri are gunning for the Canon C300 and C500 with a camera which could seriously erode the market for Cinema EOS cameras at the high end of the broadcast and single-operator videographer market. The Amira’s pricing starts at 25,980 euros which puts it in the Sony F55 and Canon C500 range.

What’s the secret to Arri’s success?

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SetLife Magazine (a recommended follow on Facebook) has compiled technical specification slates showing us who shot on what when it comes to the big 2014 Oscar nominees.

Interestingly Arri cameras still sweep the board. There are also nods to the Cinema EOS cameras and even the GoPro, but the really surprising thing is not a single one of the films were shot on RED.

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EOSHD weekend report - Nikon Df and Canon Cinema EOS

The gap between Nikon beginning the Df concept and putting it on sale was 4 years.

Are camera manufacturers moving too slowly?

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Iscorama anamorphic on the 1D C and my test footage at Vimeo

I shot with the Canon 1D C and Canon C100 Cinema EOS cameras recently with SlashCam in Berlin. The 1D C is the most Jekyll and Hyde camera I’ve ever used and a difficult camera to review. The 1D C is a marriage of beautiful 4K images and an unwilling partner who hasn’t shifted an inch to accommodate it.

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Canon EOS 1D C 4K DSLR

A few months ago I reported back what Canon had told me officially at Photokina – that the 1D C had some very minor hardware changes over the 1D X (like a headphone socket) but that the camera was fundementally the same camera with a firmware update to enable 4K recording. The Canon product manager was technically knowledge and utterly adamant this was the case, there wasn’t a hint of doubt in his eyes when I had this discussion face to face on the basis of mutual trust.

Later Canon were keen to point out I had got it all wrong and that the 1D C had a different circuit board, etc. etc. and was well worth your extra $6,000.

So why are there traces of 1D C firmware in the 1D X?

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses
The EOSHD Panasonic GH3 Shooter's Guide
The EOSHD Anamorphic Shooter's Guide - Second Edition
More EOSHD Guides