thebrothersthre3 Posted May 7, 2020 Share Posted May 7, 2020 This is an old ass thread lol. Even now in 2020 only the fastest processors will be able to edit 4k H265 nicely. 1080p isn't nearly as taxing. GPU's don't really seem to help much in premiere so it really comes down the processor. Resolve on the other hand seems to utilize the GPU a lot more. H265 4k from my fuji played much nicer in Resolve. I was even able to add in a bunch of effects and grading before my CPU and GPU maxed out. But yeah I wish the Fuji XT3 had internal Prores. Quote Link to comment Share on other sites More sharing options...
Lux Shots Posted May 8, 2020 Share Posted May 8, 2020 Deleted Quote Link to comment Share on other sites More sharing options...
OliKMIA Posted May 9, 2020 Share Posted May 9, 2020 Proxy... Quote Link to comment Share on other sites More sharing options...
deezid Posted May 9, 2020 Share Posted May 9, 2020 Easy going in Davinci Resolve Studio. 6K 10 Bit footage runs just fine without any stutter or lag - even after grading. Using a 1080 Ti here, though. Quote Link to comment Share on other sites More sharing options...
gt3rs Posted May 9, 2020 Share Posted May 9, 2020 1 hour ago, deezid said: Easy going in Davinci Resolve Studio. 6K 10 Bit footage runs just fine without any stutter or lag - even after grading. Using a 1080 Ti here, though. only 4:2:0... 4:2:2 is not HW accelerated so you need a powerful cpu...... KnightsFan 1 Quote Link to comment Share on other sites More sharing options...
tupp Posted May 10, 2020 Share Posted May 10, 2020 Most editors that I know don't edit camera files -- they use lower-quality, uncompressed proxies and/or transcode the entire project to an NLE-compatible, high quality format. Not only can using compressed camera files slow down the NLE and cause problems with effects, but grading compressed files can also cause discrepancies with the rendered look. My editor (and color-grading) friends usually grade with a high quality format after they have edited with proxies. Another trick when working on narrative projects -- use multiple drives to speed things up. For instance, in a two person dialog scene, put all of Character A's shots on one drive, and then put all of character B's shots on another drive. This will allow cutting between different drives instead of cutting within a single drive. Likewise, one could put close-ups on one drive, the medium shots on another drive and all of the wide shots on yet another drive. leslie 1 Quote Link to comment Share on other sites More sharing options...
Jerry Smit Posted August 7, 2020 Share Posted August 7, 2020 Or you can use Joyoshare Media Cutter to edit H.265 files. It is very easy to use for beginners. With Joyoshare, you can trim, rotate, and crop videos. Also, you can add subtitles and background music to videos. You can customize the resolution and hue, add video and audio effects, etc. BTM_Pix, Nezza and herein2020 3 Quote Link to comment Share on other sites More sharing options...
kye Posted August 7, 2020 Share Posted August 7, 2020 I think Jerry is calling us all beginners..... Katrikura 1 Quote Link to comment Share on other sites More sharing options...
Super Members BTM_Pix Posted August 7, 2020 Super Members Share Posted August 7, 2020 Jerry, Jerry, Jerry... Why are you still not including a link to the software you have shilled in 100% of your posts on here? It so amateur. Or Spamateur in your case. Quote Link to comment Share on other sites More sharing options...
Nezza Posted August 7, 2020 Share Posted August 7, 2020 @Andrew ReidJerry is spamming, promoting his own software. Quote Link to comment Share on other sites More sharing options...
herein2020 Posted August 7, 2020 Share Posted August 7, 2020 On 5/9/2020 at 3:42 PM, deezid said: Easy going in Davinci Resolve Studio. 6K 10 Bit footage runs just fine without any stutter or lag - even after grading. Using a 1080 Ti here, though. On 5/9/2020 at 4:59 PM, gt3rs said: only 4:2:0... 4:2:2 is not HW accelerated so you need a powerful cpu...... First off who resurrected this zombie thread? Anyway, like gt3rs says, 4:2:2 H.265 is not supported at least not yet in the NVIDIA GPUs as you can see from the following chart. I do hope it is something that can be fixed with a driver update and not some sort of HW shortcoming. I have a Core i9 14 core CPU and an RTX 2080 Ti and my system still had problems editing R5 4:2:2 footage. I was able to get smooth playback initially but it stuttered a bit between clips and after applying two layers of color grading in Davinci Resolve it was unuseable. https://developer.nvidia.com/video-encode-decode-gpu-support-matrix UncleBobsPhotography 1 Quote Link to comment Share on other sites More sharing options...
sev7en Posted August 7, 2020 Share Posted August 7, 2020 It looks like the iPad can handle it (LOL)... Quote Link to comment Share on other sites More sharing options...
fred_ Posted August 10, 2020 Share Posted August 10, 2020 As nvidia is not supporting 4k 10bit 422 does any one know if some AMD card does support it? Quote Link to comment Share on other sites More sharing options...
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