39 posts in this topic
By Elliot M
Hoping someone can help with this edit workflow question:
I currently shoot video on Canon DSLRs (in H264 MOV format), and edit on a late 2009 iMac (2.8ghz i7 processor, 16gb memory).
The films I make are mainly for web rather than TV broadcast, and beyond basic colour grade / tidying up, have minimal effects added (no CGI).
Until recently, I used Final Cut Pro 7, using FCP's Log & Transfer function to import and edit footage in Pro Res 422 format.
Having just moved to Premiere Pro CC 2017, I'm trying to figure out the most efficient workflow with the best resulting image.
Should I import and edit in native H264 MOV? Or ingest and edit as either Pro Res or DNxHD?
If Pro Res or DNxHD, what's the best way to ingest (or import / transcode)?
I've been reading mixed things via Google; mainly Adobe-related articles explaining a native workflow, vs various articles sponsored by transcoding software companies, saying that transcoding will have a better result.
Any thoughts would be much appreciated.
By Geoff CB
Hello fellow editors. Selling my GTX 960 SSC 4GB cards that I had in SLI. Upgraded my GPU so I don't need them anymore, pricing them to move. These can handle 4K editing from Sony and Panasonic consumer cameras.
Shipping included for U.S. lower 48 states.
Buy both for $225
I'm working on a new project. It's for an organization who uses internet platforms for interaction around their product. So my promotional film for them will include some of this interaction on screen.
- What is the best way to do it?
- Using a Screen Recorder? If so which one is good on a Mac and using with MOV footage?
- Anny useful tips around these kind of shots?
Thank you so much!
I recently shot a music video with the GH4(in 4k) and GH2(1080) all the footage looks really good in preview playback but I notice a Gamma change with the .mov GH4 files if I open in FCP or VLC? I've had this problem with RED files and I just continued editing with the darkened gamma change because the files seem to correct themselves upon export. With that said I have a couple questions with how I should continue with this project or if there is a better way.
My workflow plan right now is to Transcode first all of AVCHD GH2 files with 5dToRGB to PRORES 422HQ
After that I'll import the PRORES files into FCP and drag a clip to the timeline and match the sequence settings to the clip because the final deliverable will be in 1080.
My question is with the 4k footage and if this workflow makes sense? Should I import the .mov files directly into the 1080 sequence? or should I transcode the .mov files to 4K PRORES? I know importing the .mov files will slow me down because I'll have to constantly render but I don't want to lose image quality in conversion.
My concern is the gamma will change and I wont know the true image quality until after I export. I just want to keep the images looking like they are.
What would be some of your workflows when working with the same type media?
Couple of months ago, a photographer (nickname lenuisible) decode the wireless communication protocol between image app on smartphone and GH3 camera http://www.personal-view.com/talks/discussion/6703/control-your-gh3-from-a-web-browser-now-with-video-/p1. I took these, and adapted to my 13 years old remote control software (originally written in vb6 for casio qv3000).
After a couple of days, the software now finds the camera, queries its capabilities, and allows user to control the camera from windows PC.
It is a very simple program, you just see the commands (like focus, zoom, exposure, aperture, white balance etc...) and use them.
You can also record those settings and play them back later. You can tell the program to repeat those commands. So you can make timelapses by zooming in each shot, or changing the white balance when its dark outside.
For examplle you can adjust the focus between objects and then you can set the focus with one click like this: http://www.dijitalakademi.com/P1640788.MP4
You can program complex set of commands and make it replay those (or replay and repeat)
I also added liveview from http://www.personal-view.com/talks/discussion/6703/control-your-gh3-from-a-web-browser-now-with-video-/p1, thanks to lenuisible.. You should just press "Liveview" button. But you have to have java installed in your machine. From the post,
"Java RE : download here : http://java.com/en/download/index.jsp
Add the java bin directory to your PATH, On a windows machine, the Java bin directory should be : C:Program FilesJavajre7bin"
I have a FZ1000 to test it, it works ok, but it should work with all wifi enabled LUmix cameras. So feel free to try it, and let me know how it works.
Before you run the software, you should enable wifi from camera, connect the camera either a wifi network, or your pc to your camera. Program should find the camera automatically.. If program gives "no response from camera" then check wifi connection, get closer to the router, try again..
you can download and install it from http://www.dijitalakademi.com/lumixcontrol.zip