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  • Posts

    • Love this movie:  Shot on DJI ronin 4d  pretty great image   price and size are dealbreakers 
    • Yes , fair points. But filming not narrative stuff I’m not concerned about makeup 😆.    that said, I saw Dehancer has a plugin for FCP and that may do the trick and make camera brand less of an issues so long as a baseline DR is present and AF is good enough 
    • I see your point @SRV1981about wanting good SOOC color and not wanting detailed info about post color correction. But kye's primary point that color is not about the camera is correct. Makeup changes people's skintones to make them more pleasing, both in real life and on camera. Makeup will do more for your image than camera brand. A simple layer of anti-sweat makeup (I don't know the proper name, but our makeup person used it on some shoots) doesn't change hue, but reduces specular highlights, and immediately makes skin look better*. It's an effect which is impossible SOOC from any brand without makeup. (*And when I say "better" that's content-dependent. If you want a shiny, sweaty face in a horror movie that's of course a separate style of makeup) If you really want info on SOOC color from different cameras, it might help to describe exactly what you are looking for, perhaps using existing movies as examples. Because all modern cameras are good in their own way, so whether you like the creative options from Panasonic vs Canon is all about your creative intent. If you want general, all purpose good color, then I don't believe there is any mainstream brand that is better than others at this time.
    • I think this was pretty predictable since Ace Pro had arrived (one of my favs along Osmo Pocket + One X2, yes, and now to replace it with this upgrade): https://www.bhphotovideo.com/c/promotion/19087/exclusive-insta360-camera-unveiling.html832    
    • You asked "what brands are you usually happy with color wise?" Good colour in an image is basically skin-tones - get them right and the image is good and get them wrong and nothing else matters. The way to get good skin tones is to film someone with the best skin tones you can find, use makeup to improve the skin-tones in your images, and to colour grade the skin-tones in post. Great skin-tones (and great coloured images) aren't created by cameras - they're created on-set and in post. Trying to choose the right camera to get good colour is like trying to choose the right paint and paint brushes that will make your paintings into masterpieces.  You're looking in the wrong place.
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