EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

    7,737
    posts
  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    974
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    1,649
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    1,498
    posts

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD Samsung NX1 Setup Guide
The EOSHD Sony A7R II Setup Guide and LUT Pack
The EOSHD Anamorphic Shooter's Guide - Second Edition
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses

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  • Posts

    • Kinefinity hands on at NAB 2016
      I saw this on YouTube. Kinemax 6K compared with the Ursa Mini 4.6K.  
    • Requesting a 4K 5D Mark IV! Werner meets Canon in Germany
      Im just puzzled why people still are surprises when a pro stills camera meant for stills doesn't have enough video features to replace video cameras Specially when it has something like 4k at 60fps.. Pretty advanced for a stills shooter imo. Its one of the, if not the best, sport's photography stills cameras out there. Pretty obvious that's why they bothered with the 60fps.  It actually makes perfect sense. Making the camera you intend to sell to sports journalists full of features for the "Indy" crowd on the other hand would be seriously wired.  Take the 1DC as an example, it costs way less used than a 1DX mki. Because the target audience would never buy some wierd "cinema gadget".    
    • Requesting a 4K 5D Mark IV! Werner meets Canon in Germany
      You are right that good quality 2k is superb, and most people on most display devices will not notice the difference to 4k. ABC, Fox and ESPN still broadcast exclusively in 720p/60 and few notice. You are also right that moving prematurely or reactively to 4k can entail downsides and complications. That said, 4k is the new standard and you can often get 4k without major cost. The workflow is not necessarily that hard but this varies with the software. FCPX has built-in proxy so that makes it easy. It can be harder on Premiere but that also is getting proxy support soon. The big immediate advantages to 4k are editorial:  It allows reframing each shot, including adding pans and zooms. You can punch in to a tighter shot, simulating a camera cut. Each frame is an 8 megapixel still, so frame grabs can sometimes substitute for a still. Most editors who have become accustomed to these capabilities don't want to go back to 2k.
    • Original camera files - download and share!
      Ah I have paid so should be fine, thanks!
    • Original camera files - download and share!
      Yeah for the free acct it's 10GB bandwith a day. Paid acct it's 250GB. I've got 1TB of Dropbox storage if you want me to host it.