EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

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  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    2,283
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    2,600
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    2,644
    posts
  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD Samsung NX1 Setup Guide
The EOSHD Sony A7R II Setup Guide and LUT Pack
The EOSHD Anamorphic Shooter's Guide - Second Edition
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses

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  • Posts

    • Canon C500 Is it worth 7K new?
      Thanks Kino. Speaking of which, after more research on the Atomos Shogun Inferno. You (not specifically you, Kino... but anyone) need to really read between the lines. Its a Raw recorder, so it will take a Raw signal, BUT it will convert it to either CinemaDNG, Pro Res. or DNxHD from SDI (supporting: FS series cameras and C300ii/C500). So, my next question... is CinemaDNG a raw format? What is the difference between CinemaDNG and Canon's RMF?
    • For those in love with the FULL FRAME look which system gets closest in 4K?
      Yeah I find the A7R2 in FF mode to be pretty good in good light, and being able to get an extra 50% zoom whenever you need it by going to S35 is great. Speaking of switching from FF to S35, I've been testing out the 24-70mm 2.8 GM with the A7R2 recently and it sure is awesome having a 24-105mm range at f/2.8 all in one lens.  And of course the image quality is great.  Almost makes up for the huge size and weight. Here's a 4K screengrab at 24mm FF f/2.8.  Sorry for the exposure.. didn't have ND filters at this point. And at 70mm FF f/2.8:   A few other thoughts on this lens for video, since it is full-frame and gives a pretty good full frame look IMO: The size and weight make handheld shooting much more stable than my smaller/lighter e-mount lenses, especially when using the viewfinder for a third point of stability. The physical AF/MF button is pretty handy if you like to use AF sometimes, but occasionally want to quickly switch to MF without giving up one of the other custom buttons The programmable button on the side of the lens is also pretty useful. I think by default it's set to focus hold, which is good for using AF to lock focus on something, reframe on a different subject, release focus hold and get a smooth focus transition to the new subject.  
    • Which Quick Release Plate?
      The Manfrotto 502 head might be easily modified with other clamps, as it appears that the dovetails can be removed with four allen screws.   Perhaps your Sachtler head can be likewise modified, if the extra 3/8" is too tall for you.  What is the model number of your Sachtler head?
    • Who made this lens?
      Tested this Zeiss lens with 100mm/f2 taking lens on FF camera.  Is it OK?
    • GH5 Prototype
      There is a working Gh5 sample at Photokina thats for sure...