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  3. Color - SOOC vs. LUTs/Grading 1 2 3 4

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  4. Joker 2 - Color Breakdown

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  5. Fuji X-H2S 1 2 3 4 17

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  6. 24p is outdated 1 2 3 4 23

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  7. R5 II - May Announcement?

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  • Posts

    • Whenever I start thinking about the beginning of the DSLR revolution or the Digital Revolution, I take my own advice and go back to look at some old videos that I love from those forgotten cameras. This first round of films, from Kendy Ty and his t2i, I have linked to countless times, years ago, but I think they could be helpful or relevant to the OP's topic... If I remember correctly, he used the t2i and the old Sigma 30mm 1.4. I believe he even created his own picture profile, in camera, for his earlier films. Like so many others, he eventually moved onto a Sony 4K camera, but many people commented they preferred the look from his trusty, old t2i. If there's a lesson here, it's simple... sometimes less is more. Sometimes the tool that gets the job done and is simple to work with, is better than wading through the minutiae of features and tech finding the best camera.
    • I got two Micro Cine Cameras and one Pocket OG. And the best thing is, I have hardly shot with them. So I feel every day like a kid in the toy store! The panel looks super exiting. How about a whole lotta love for it! 🙂     
    • well, at the next video i hope that i capture the sound more accurate... i already order one zoom h1n recorder. i'll see !
    • I was avoiding thinking about that having recently paid £50 for NeuralMix, which basically does that! And yeah, FLC doesn't do it all, but it sure does get you a lot of the way there. Native subtractive saturation is a major win too, given the relatively high cost of the better DCTLs people have developed to do it.
    • I mean I like this guy's style but he is a sales person through and through. Manufacturer sends him gear, he's hyped over the moon THIS ONE THING WILL CHANGE FILMMAKING FOREVER, and on to the next thing
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