EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

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  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

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  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    2,528
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    2,942
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

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    posts
  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color for Sony cameras
EOSHD Pro Color for Panasonic cameras

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  • Posts

    • Anonymous said the NASA was going to say something about alien life. Maybe they're already here! I hope they just have somebody like Charles Dance to do the talking, Morgan Freeman has a too lighthearted voice for that. Jokes apart that's why I think Mirrorless is superior, the EVF, IBIS combination is killer; pity that by the time you'd point the camera to the UFO the batteries would die in the Sony and the focus would be lost in the sea of blue with the Panasonic. Maybe the OMD EM1 MKII is the way to go  . 

      EDIT: Waiting for the footage, I kind of secretly enjoy these things.
    • "This is from the new film, and it looks like two hipsters coming out of the Berghain and home for Netflix and chai tea" 😂 I was looking at that shot from the trailer too and hated it, but didn't exactly know why. You summed it up. And isn't the shot from the original film looking so much better in general? Honestly, I'm not a big fan of the looks of the film myself. It looks beautiful, but it the entire thing feels... forced. It's all so polished. The original film feels so much more... tangible. I don't know what it is, but the images from the new film don't excite me.  What I like about the original Blade Runner is not just it's cinematography but also how it has been cut.
      Just take the opening scene with the Tyrell corporation building, how it cuts between interior and exterior while the camera zooms in on the interrogation room... it's very unconventional but works very well.
    • Yes.  Those kids are talented.   I have never recorded raw on the EOSM, and I don't know the answer as to whether or not H.264 has to be recorded while raw is recording.   On the other hand, I have run Tragic Lantern with All I-frames, Full HD on the EOSM with boosted bit rate -- while using the Fujian 35mm f1.7!  The All I-frames along with boosted bit rate gives more robust frames/files.
    • Probably no software involved @jonpais. My guess he/she is one of these tupe fellows.