EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

    14,560
    posts
  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    2,370
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    2,596
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    3,222
    posts
  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

    978
    posts

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  • Posts

    • Interesting 2016 Sales Figures
      I have used it a bit. 1. Yes 2. Metabones work great. 3. Yes. 4. Its ok imo. 5. On par I guess or the NX1 might be a tad better. Here is IS and AF with canon glass. This is all hand-held with a Canon 35mm IS.  
    • How to handle out of range video levels (GX80 / GX85 in Premiere Pro)
      I studied Sony RX100 mk3  files with Vegas Pro scopes and it gives different values than Premier. Vegas shows RX100 XAVC-S is 16-255 and Premier shows 0-255. I saw odd readings with my GH4 files in Premier too. Premier Waveform shows 16-235 with my GH4 0-255 files. My eyes says the Vegas Waveform is right. Is there some settings in Premier causing wrong values in Waveform. It is also confusing to view videos with PC Media players. If I play full range 0-255 video I must set graphics card level setting to "limited range 16-235". If I use normal 16-235 video I must set graphics card setting to "full range 0-255". When I watch GH4 full range 0-255 video file with "limited range 16-235" setting the final video image in monitor contains all the 0-255 shades and it is perfect and has no banding. When I watch "normal" 16-235 video with "full range 0-255" setting the final video image in monitor has only 235 shades stretched to 255 monitor and the result lacks ever 7th shade causing banding and noise. If I use 16-235 video with 16-235 setting the gradations are perfect but the whites and blacks are gray. One problem is that many cameras record 16-255 levels but there is no setting in graphics card for that. I can use my video players additional settings for levels for 16-255. There is no way to watch full range videos with TV players. TV player always clips everything outside 16-235. Many cameras record full range video like Canon DSRLs and Olympus mirrorless and some Panasonics like GH3 and GH4.
    • Interesting 2016 Sales Figures
      @Kisaha As it seems you have some experience with the ls300, I hope you could answer some questions: Have you already used it with Canon lenses? If yes, how do you adapt Canon lenses to its MFT mount? Metabones? Which active adapter should be used? Does it support Canons IS when mounted to the camera? What about AF quality with Canon / Panasonic lenses? (I know AF is supported, but never saw a serious in deep test of it) What about low light? Comparable with the NX1 (which I know you are using exetensively) or better? Thank you!
    • FS SLR Magic Anamorphot 2x 50 Anamorphic Adapter
      I know you sold it already, but please allow me some questions: How can it be single focus without the rangefinder attachment? I always thought that the Anamorphot adapters are dual focus, this is the reason why the rangefinder exists? What is the minimum focus distance on the Panasonic 20mm without any diopter? Thanks!