EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

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  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

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  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

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    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    2,496
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

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  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD Samsung NX1 Setup Guide
The EOSHD Sony A7R II Setup Guide and LUT Pack
The EOSHD Anamorphic Shooter's Guide - Second Edition
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses

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  • Posts

    • Canon 1Dc $4,999
      i agree just for the record, i wasnt suggesting that these cameras all produce the same image what i wanna see ideally is the color we get from ml raw on ALL canon cams
    • I bought a Canon 1D C....
      Dave, this is effin beautiful!!! Was this 4K or 1080p? C-Log?
    • I bought a Canon 1D C....
      Some graded screen grabs from the 1DC. Shooting on Leica R glass. 
    • Canon XC10 versus Sony RX10 III. The Canon is underrated!
      Just posted this today. Shot in 4k and 1080p slo-mo---Vimeo forced upload in 720p. All handheld--moving, slider/stabilizer-like shots done in slo-mo, hand held, in Dynamic IS. Shot in C-log, graded in FCPX and Color Finale. Several hand graded clips as well as grades using one of the Canon C300 mk II LUTs. Bright Texas sun requires internal ND as well as Variable ND on lens for proper exposure. Many wide angle shots were done with Canon wide angle lens attached.  
    • Panasonic G7 or GH4 as "A Cam"? (And other questions)
      Thank you very much for your precious tips!

      I have to do that! 30 degrees rule for framing mid and head?
      I was worried I had not a Metabones for larger shot (so planning to use the Olympus 12-40 for that kind of work), but a mid at 35 is certainly something I can easily achieve  

      How to light the set for f/2? It means having the "right" exposure (white on the histogram) at f/2 and then underexposing 2 or 3 stops?
      Sorry for the dumb question, but I always try to shoot at the lowest ISO with 1/50  

      Tiffen for ND on the mattebox is ok? 

      Huge huge huge thanks Andy!! We are going to shoot in Naples, a city full of noises. 
      I have a little recording studio full of mics, preamps etc... so I can do that at no costs apart my time. I also have a "travel kit" with a Mac, an Apollo Twin soundcard, a nice mic an a reflexion filter, so I can go directly to actor's places to record them after the editing (I live 400 km from Naples).

      Of course It could sound "fake"... but I'm scared of recording on the set, because all I have is a Zoom H5 and a couple of cheap pencil microphones. 
      The Rode NTG4 (or NTG 2, the two mics I could afford) is ok for outdoor but not for indoor recording. 
      The Zoom H5 preamp is quite noisy... so I think I could have a better chance with ADR: all actors are professionals, I think that they could do that.... 
      Especially because one of the characters is an "object", not an human, so I have to ADR anyway for this character.