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I lost my thinking reading through the back and forth of this thread. It is headspinning. But it is the only active thread alive at the moment.😂 I will be very grateful when og poster will feel inspired enough to come to a decision of buying that personal camera for video or photo/video after a year long of searching and wondering.😂 Well, a bit offside, some 8bit 420 100mbps HD goodness, a teaser for a short I dped and codirected five years ago. Still not finished with the edit, though I had it finished at 80% five months after wrap. But I felt left all by myself. So the moving image has many more challenges to face than worrying about the differences in image quality of 10 bit dslms.😊 Grading is a bit off but I wouldnt even bother so much any more as most of the look is in the lighting, framing, setdesign anyway. Shot at 800 Iso, at around T2 and T2.8. -
Will check soon! Thanks 🙏 Under very clear differences and Fuji and canon have a much more appealing image. That said I show the clips to family or friends and they always pick canon then Fuji -
I had a faulty GX80 showing me a message a few seconds after power on: "Please Turn Camera Off and Then On Again". I knew it was the ibis failing because only one part of the sensor was static and the other part was very wobbly. So I dismantled my camera following this tutorial until I reached the 10th step. Once I had the ibis+sensor out of the camera, I only had to remove 3 screws and to separate the 2 flex of the sensor. Then, I realized one of the tree electromagnets had no continuity, and added some drop of tin to join the broken copper wire. And it's fixed and working again. I am so happy! I include an image of the point that was failing -
im going to be very honest, i think its crazy you can see the difference between cameras with their stock 709 lut. To me they all look samey, boring and bland. -
Interesting comparisons and definitely a step up in quality. When used zoomed-out like this the image is quite good I think - it's very "action camera" but has nice clean colours etc. The DR wasn't bad either I didn't think. Maybe they'll be able to apply whatever improvements they've made to the X4 to the 1" model and it will be better again! It was interesting looking at the stats for the Insta360 Pro 2, which uses "6 x MicroSD cards + 1 x Full SD card" so rather than have an expensive media setup they just went for lots in parallel. The "Bitrate per lens: Up to 120Mbps" so is practically around the 600-700Mbps (there would be some overlap between lenses so not all bitrate would go straight to the final image). Maybe a "Pro" model could be a compromise and have dual media slots, with 200-300Mbps being written to each card. That would be a good compromise. The fact that the image would be across multiple files shouldn't be too difficult to manage considering that these files need specific support to process the image anyway. You might be right about a renewed push to 360 VR and 3D 180 VR, and I have a vague recollection of camera models that could fold one camera around, so it could be a 360 VR or a 3D 180 VR camera depending on how you configured the lenses. Having two card slots with one per camera makes sense in that way too. The fact that the ONE RS was modular also indicates they might be open to such a thing.
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