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You asked "what brands are you usually happy with color wise?" Good colour in an image is basically skin-tones - get them right and the image is good and get them wrong and nothing else matters. The way to get good skin tones is to film someone with the best skin tones you can find, use makeup to improve the skin-tones in your images, and to colour grade the skin-tones in post. Great skin-tones (and great coloured images) aren't created by cameras - they're created on-set and in post. Trying to choose the right camera to get good colour is like trying to choose the right paint and paint brushes that will make your paintings into masterpieces. You're looking in the wrong place. -
Vistek just dropped a pretty comprehensive video about how to test lenses, but it includes a bunch of really interesting stuff, ranging from what the various aberrations are, how to test for them, how to see them in the test images, and a range of other factors. He drew heavily from the incredible book The Cine Lens Manual: The Definitive Filmmaker's Guide to Cinema Lenses which is basically the new reference for lenses and has a whopping 836 pages and seems to have come down in price to only $175 or so (it was a lot more previously!)
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Very detailed and cool to be honest. That said I have zero clue how this relates to anything I asked I’m beyond lost in the weeds here man. im just curious about skintones SOOC and how they’re achieved easily. No clue what makeup has to do with anything for the situation I asked. -
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Yeah a headphone output would be nice, could use it as a quick and dirty back up, booming with just a cabled boom straight into the Deity recorder. But not a big deal it is "missing", as overall this is looking very appealing to me, might get one myself.
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