EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

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  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

    14,785
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  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    2,442
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    2,684
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    3,411
    posts
  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

    1,086
    posts

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
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  • Posts

    • Panasonic GH5 - all is revealed!
      Yes, do you? But if I didn't, does that mean I shouldn't complain about Panasonic colour rendition? Take a look at the Kai W boating in Cambridge video. The GH5 footage looks like shit, in terms of colour, and the C300II footage looks lovely. Do you think you could match the GH5 footage from that shoot with the C300 footage, @funkyou86, if you're so fucking amazing?
    • Is it possible to put filters in between your camera and lens body?
      Damn Damn Damn! My smallest filters are 43mm (for the filter drawer of my Tamron 300 2.8.) I have the original clear glass the lens came with and also a IR filter I got to experiment with.     I had to file the IR filter edges down to get it to fit.        IF I took the glass out of the IR filter, I think it would fit nicely in the Fotga circle.      Decisions decisions, do I destroy the filter to try this or do I keep it for mucking around with IR and 300 2.8! Let me think about it.
    • Camera advice. Best image, ignore rest. $3000
      I think that's a much better idea than selling the F3, the a6500 or A7S or A7SII would be a great second camera for the F3, and would be easy to match, also you would the have 4K covered as well. I bought my first F3 in 2015, now this year I just picked up two more F3s as I can use them in multi live performance set up's, the F3 has every output option from HDSDI, HDMI, DVI, I can record to my Odyssey, and send a HDMI out for a streaming web feed, I have solid XLR inputs, I have a back up recording on my internal SXS cards, granted that was the weakest link in the F3, being only 420 and 35mbs XDCAM EX still it's nice to have the back up, not to mention the easy internal external  TC sync. The F3 still puts out the best 1080p image as far as I'm concerned, other than it's Big Daddy the F35, and If I want to shoot a commercial or infomercial, indie feature, it's good enough for that too! I use Nikon glass 17-55 2.8, 35-70 2.8, 80-200 2.8, I also use the 11-16 Tokina 2.8, and when I want something really nice I use my Zeiss ZF primes. I have two Odyssey 7Q+ units, one with every option RAW, APOLLO, TITAN, so for now I have the multi cam 1080p 24p, 30p, 60p system that I know will give a damn good looking finished product for the WEB, CABLE, or TV. I will add I did buy the Canon C500 because at the prices it is selling now it's a steal, and that's my 4K back up for now. I'm sure by 2019 I will have switched the F3s for F5s. I just don't see anything too my eye that really makes a difference for TV or the WEB camera wise, sure the ARRI AMIRA or ALEXA, look amazing for every output all the way to the big screen, the RED DRAGON is pretty too, but these cameras cost way to much for me to consider buying and making a return, due to my type of clients ( corporate, medical ) If I did get into higher end commercials I would just rent the cameras. It is nice to own your own gear, and know it inside and out, along with it's reliability. 
    • Is it possible to put filters in between your camera and lens body?
      The Fotga and no name.      Plenty of space in each for a thin filter but if you got the size right, the Fotga could have one slip right in with luck. Metabones and Commlite (I found my junk box) are fairly similar to the Metabones.     The Metabones has a larger scalloped hole than the others (designed that way for use with tilt shift lenses I understand).