EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

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  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    945
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    1,511
    posts

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  • Posts

    • A Tale of Two T2.0 Zooms (for A6300)
      @Brian Caldwell you don't see it because you still haven't created it I guess! You don't believe medium format lenses have an advantage over FF glass? or just not when speedboosted? (if there's some kind of limitation). I am sure using ALL THOSE medium format lenses on A7 series cameras with full image would be something people love!
    • Lenses
      3.5 isn't too bad. With the metabones XL it will get down between f/2 - f/2.5 ... Which is more than admirable for a constant zoom. Is it parfocal? It seems it focuses inside the barrel, so I assume the filter ring does not rotate when you focus? I have the Minolta MD 24-35mm and it is a stunning lens, it's like a small set of wide primes in one lens, but the filter ring rotates on focus, so using a fader nd is a pain in the ass. Do you have any screen grabs? 
    • A7s 2 vs. 1DC - Must choose one TOMORROW Please Help
      1DC better build better stills better image a7s better ergonomics better mount better price. 
    • Your ideal NX1 Settings
      Looks great. Music is very fitting as well. What FC profile did you use? I'm guessing one of the RedGammas?
    • Sony a6300 4k
      Thank-you - high detail scenes are indeed the problem.  The Nikon has a 24 megapixel sensor and 1080p HD video is only about two megapixels.  So 90% of the sensor data has to be dumped which does tend to kill fine detail.  With a powerful processor you could interpolate the image data down in a way that would preserve the detail, but it appears that most DSLRs don't have the computing power or sufficient cooling to do intelligent interpolation; instead they just dump the extra pixels.  Hopefully the next version of the D750 (the D760?) will have 4K recording.