EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

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  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

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  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    2,276
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    2,543
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    2,461
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  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD Samsung NX1 Setup Guide
The EOSHD Sony A7R II Setup Guide and LUT Pack
The EOSHD Anamorphic Shooter's Guide - Second Edition
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses

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  • Posts

    • BLMCC 4K?
      I have about 500 hours on that camera and will have over 1000 by the end of the year. I would far prefer the cinema camera with a speedbooster, but we have zeiss super speeds in PL mount so production camera was the only option at the time. DR is a bit limited...dslr range. Other than that is has been bullet proof. I was told by the guys in post that some shots had a bit of ghosting in them, and I think that those were recorder in quite extreme heat.
    • Canon XC15
      Im with you on all that. XC15 will probably be to the XC10 what the XA35 is to the XA30 (Or xf200/xf205). Also believe IBC makes more sense.
    • Canon XC15
      I'll be surprised if the XC15 replaces the XC10.  If the photos are legit, then there's a XLR input but probably no HD-SDI that I can see.  I would think if they had added a new sensor with DPAF it would be an XC20 but we will see. However, photokina seems a strange time to release a new professional camcorder so I imagine it will be released at IBC. I agree that the lens is much better than reported -I too would not want to give up the size, range, IS and parfocalness for a constant 2.8.  Maybe the XC10 is selling better than we know.  When I brought mine the store mentioned that Canon had said to them that they had been moving quite a few recently, maybe the news guys are seeing a role and the XLR will help cement this.
    • Canon C300 Mark II flopping vs the Sony FS7 at rental?
      With these kind of anecdotal stories... You need to ask yourself some further questions before drawing any kind of conclusion: Is the C300 mk1 still renting well? Have rentals simply dropped across the mid range, now people can afford truly good cameras as owner/operators? Are people just renting the FS7 for occasional slow-mo shots to go with another camera? Has the FS7 taken rentals away from the F55, RED etc too, eg, we have hit saturation point where that camera is good enough to scoop up all kinds of work? It seems to me that alot of the market that the C300 was so successful in.. what I would call throw away tv (reality, interviews etc)... Is still 1080p based and the C300 is still king. I can see the C300 ii slowly grabbing back ground as the price comes down and the need for 4K in that area grows. Too little info and too little time passed to call it a flop.
    • BLMCC 4K?
      Yes its still great under controlled conditions.
      Some issues but they where fixed in firmware. Black sun is still there but an easy fix in Resolve with a dedicated function for it.
      No, its an EF mount so their will be no speedboosters. You could say that its already boosted with the pretty large s35 sensor.

      (with that said, I would absolutely love it in MFT mount since I tested enough lenses on the LS300 to know that s35 + MFT = Perfect)