EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

    13,784
    posts
  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    2,272
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    2,527
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    2,445
    posts
  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

    621
    posts

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD Samsung NX1 Setup Guide
The EOSHD Sony A7R II Setup Guide and LUT Pack
The EOSHD Anamorphic Shooter's Guide - Second Edition
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses

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  • Posts

    • Is binge watching the new theatrical experience?
      To me - a cineaste if there ever was one - contemporary Hollywood cinema is like this:   Modern TV series - particularly the Netflix approach - are better entertainment. Traditional series used to have a cliffhanger. The hero literally hangs from a cliff, and you have to wait a week to see him rescued, which of course happened. Suspense in the new series is created by slow character development. The end of each show promises that things are explored deeper, that more is revealed. Even, as with Daredevil, if there is a hero and a villain, you can't know how the story unfolds. In Rectify, the authors even play with the prejudices of the audience. Fair is foul and foul is fair, nothing comes in the expected package. Comparing this to the latest blockbusters is like comparing Shakespeare to a Punch&Judy show. I found out for myself, that generally only the first season is worth watching (= spending many hours). Exceptions prove the rule. The third season of Six Feet Under is unbelievably good. But it only works if you know the first two seasons.
    • 5DIV full spec and full image leak
      Well,you do have the choice to output 4K video to external recorders on nikon cameras to bypass the weak codec ,but you can not  do the same thing on 5DIV for sure,not to mention the  4K monitoring.    Sadly it won't be happen,because sony never gives nikon those PDAF sensor,did you see the D5XXX and D3XXX series were updated many times but no single one of they  using PDAF sensors,considing sony have been using  PDAF sensors sine 2013 (like NEX5R\A6000),not even D750 gets the chance to using one,I am guessing this should be a market protection 
    • Sony A7SII colors suck!!!
      It was the camera my work had invested years ago. The 7Q greatly improved the setup, there's just HUGE issues with the S-LOG2 profile.  Nobody wants Sony color, they buy the cameras because of the price point/feature set.   
    • Nikon 35-70mm AIS with 5D RAW ML
      Not that particular lens no, but as far as I know it's not sought after. Be sure to check the Pentax is free of fungus, and that there's no oil on the aperture blades. A bit of dust is ok. Light cleaning marks on the glass aren't usually a problem either. $150 is a good price if it's in good shape.
    • Super anamorphic project
      Hi, I just used two different 2x front and rear lens and got at least 2.8x ratio.  But looks like it needs much longer FL taking lens to use. P.S. Image taken by hand hold front lens, 3m distance, resized only.