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By Tim Sewell · Posted
So there's a guy who lives near me - young guy, good looking - who 2 years ago gave up a film-making degree at a London university (can't remember which one - but a good one, I can remember thinking when he told me) to go on the tools with his dad, because he couldn't see any way that an expensive 3 year course was ever gong to wash its face. Was talking to his sister this evening and she reckons he'd be totally up for getting involved in my short. Which could mean I've either got talent that isn't me, or a camera op that isn't me. Either way, it suddenly makes this project a whole lot easier. (Not to mention Resolve 19 - which changes the space entirely!) -
Really interesting stuff from the inside in this interview with Jarred Land. As everyone can see, Nikon and RED have tremendously different working cultures. This only confirms my suspicion Nikon will slowly dismantle the RED brand and absorb them organically -
By John Matthews · Posted
This video answers a lot about EIS high. I look forward to trying this out on Monday. This guy tried out lots of APS-C L-mount lenses- I was surprised how many there are now. Also, there are some that could be amazing with that 1.43x crop in EIS high. Here's the S5i with the Sigma 10-18. I imagine this would be a cheap, great combo. I've long thought that if Panasonic makes just a little smaller L-mount camera (FF), they'll kill M43, especially with all the APS-C lenses now available. Right now, it seems M43 only has 4k 120fps and widely available smaller lenses; the rest is practically a wash, including price. -
Didn't know that was in B&W. Thanks for the heads up. I adore B&W, so much so that I've been testing my FP in 4K 8bit mode for the sole purpose of having a smaller set up for a B&W film. -
Yep, every time I invest in one, it ends up being too much for my use case. Too much cost, battery charging, transport, set up, storage etc. Just a PITA. No longer and never again!
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