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I was thinking of using the Fuji X-H2S for a small project but I saw some video regarding IR pollution. Has anyone else encountered it? -
By Clark Nikolai · Posted
Interesting. I've been working in REC709 for the sole reason is that I'm just not ready to jump in to REC2020 and the learning curve that it might have. I also might need a new monitor or something. At some point I'll learn all about it as it seems to have huge advantages over REC709 and I want to have them. (Another thing that I want to one day learn about is ACES, another big scary thing.) My D16 has a colour space that is like HLG called Bolex Wide Gamut. It keeps the full dynamic range of the image but isn't flat looking like Log would be so is watchable even before using a LUT or something. Here's a white paper about it. https://digitalbolex.com/wp-content/uploads/2016/05/Bolex_Log_Bolex_Gamut_TechSum.pdf -
By eatstoomuchjam · Posted
The US raffle is open. My entry is in. If others enter, I wish you the best! https://fujifilmeventsusa.com/x100vi-le/ -
They are not even dreaming of the same game, nor the craft, the passion or the work connected to a 3min narrative or a short experimental visual etude. -
But how much of that is due to relatively small differences in brightness, contrast and saturation (all of which can be adjusted in post and usually in-camera by tweaking the picture profiles)? We are all used to colours changing due to natural lighting variation, and most people are drawn to bright, colourful, vibrant scenes - which is why the 'standard' profile on cameras is often relatively high in contrast and saturation to produce 'punchy' looking stills and video. When comparing cameras (if I'm thinking about buying one), I'm much more concerned about unnatural image distortions, like aliasing, moire (especially the false-colour variety), compression artefacts (e.g. banding and blockiness) and noise - because those can be distracting and not as easily dealt with later.
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