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  1. Lenses 1 2 3 4 284

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  2. Panasonic GH6 1 2 3 4 88

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  3. Color - SOOC vs. LUTs/Grading 1 2 3 4

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  4. Fuji X-H2S 1 2 3 4 17

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  5. 24p is outdated 1 2 3 4 23

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  6. R5 II - May Announcement?

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  • Posts

    • Really interesting stuff from the inside in this interview with Jarred Land. As everyone can see, Nikon and RED have tremendously different working cultures. This only confirms my suspicion Nikon will slowly dismantle the RED brand and absorb them organically  
    • This video answers a lot about EIS high. I look forward to trying this out on Monday. This guy tried out lots of APS-C L-mount lenses- I was surprised how many there are now. Also, there are some that could be amazing with that 1.43x crop in EIS high. Here's the S5i with the Sigma 10-18. I imagine this would be a cheap, great combo. I've long thought that if Panasonic makes just a little smaller L-mount camera (FF), they'll kill M43, especially with all the APS-C lenses now available. Right now, it seems M43 only has 4k 120fps and widely available smaller lenses; the rest is practically a wash, including price.   
    • Didn't know that was in B&W. Thanks for the heads up. I adore B&W, so much so that I've been testing my FP in 4K 8bit mode for the sole purpose of having a smaller set up for a B&W film. 
    • Yep, every time I invest in one, it ends up being too much for my use case. Too much cost, battery charging, transport, set up, storage etc. Just a PITA. No longer and never again!
    • It’s not just because the B&W makes it ‘arty’. The script is great, taking what was originally a book, then a French film, then the well known Matt Damon movie and now an 8x near 1 hour episode series. The acting is great. The cinematography IMO is superb. I have zero criticisms of it and that is rare for me.
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