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  • Posts

    • Yep, every time I invest in one, it ends up being too much for my use case. Too much cost, battery charging, transport, set up, storage etc. Just a PITA. No longer and never again!
    • It’s not just because the B&W makes it ‘arty’. The script is great, taking what was originally a book, then a French film, then the well known Matt Damon movie and now an 8x near 1 hour episode series. The acting is great. The cinematography IMO is superb. I have zero criticisms of it and that is rare for me.
    • Yeah, if you have to walk backwards and it has to be professional-level results then that's absolutely a time when you need to pull out all the stops. I haven't really seriously tested the EIS on the GH5, but I do remember playing with it and it was more stable than the IBIS alone, which makes sense.  If you can get gimbal-like or gimbal-near performance then it sounds like that will be a real advantage for those key moments. I bought one of those phone gimbals and I think I used it about 3 times ever.  It was such a PITA to have to run the app to connect to the gimbal, and the stupid thing lost the horizon gradually as you were panning.  When you need to shoot fast to capture things happening in real-time that faffing is the last thing you want!
    • Will have to check it out!
    • And the utter lack of it has me admiring Ripley on Netflix right now. I’m partly thinking the Amalfi coast should be in colour, but the rest is definitely working for me as a B&W production. Of course it would look shite if the coastal stuff was colour whilst the rest was B&W but chapeau on this 8 parter, I think it’s great. Sorry it’s not a Joker II comment 😛
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