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It’s also an ‘updated’ film noire approach for the 2020’s. There’s also a nod I think to Wes Anderson, but not in a comedic way and almost every single frame is a like a work of art. The locations, the lighting, the framing, how one frame leads in to another… My kind of filmmaking. -
That sounds great! Having two people instead of one would be an incredible advantage and time saver. I've tried to film myself for camera tests enough to know that it's almost impossible to frame and focus and expose correctly when you're the one in the frame!! Also, what about Resolve 19 are you excited about? -
Making a film is one of the hardest things I've ever attempted... especially in a DIY, low/no budget space... but it's also one of the most exhilarating experiences I've ever had... even if ai haven't been successful with finishing the film... Yet. -
By Tim Sewell · Posted
So there's a guy who lives near me - young guy, good looking - who 2 years ago gave up a film-making degree at a London university (can't remember which one - but a good one, I can remember thinking when he told me) to go on the tools with his dad, because he couldn't see any way that an expensive 3 year course was ever gong to wash its face. Was talking to his sister this evening and she reckons he'd be totally up for getting involved in my short. Which could mean I've either got talent that isn't me, or a camera op that isn't me. Either way, it suddenly makes this project a whole lot easier. (Not to mention Resolve 19 - which changes the space entirely!) -
Really interesting stuff from the inside in this interview with Jarred Land. As everyone can see, Nikon and RED have tremendously different working cultures. This only confirms my suspicion Nikon will slowly dismantle the RED brand and absorb them organically
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