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By Tim Sewell · Posted
I was avoiding thinking about that having recently paid £50 for NeuralMix, which basically does that! And yeah, FLC doesn't do it all, but it sure does get you a lot of the way there. Native subtractive saturation is a major win too, given the relatively high cost of the better DCTLs people have developed to do it. -
I mean I like this guy's style but he is a sales person through and through. Manufacturer sends him gear, he's hyped over the moon THIS ONE THING WILL CHANGE FILMMAKING FOREVER, and on to the next thing -
Yeah, Film Look Creator and the ColorSlice looks pretty good, but a few that caught my eye were the AI based Dialogue Separator which give separate volume controls for the Voice, the Background, and the Ambience of the voice (ie reverb) so you can remove room-sound as well as the background, and the Music Remixer which gives separate volume controls for voice, drums, base, guitar, and "other". The music remixer will allow much easier and more powerful editing of music to fit your edit, rather than the other way around. I frequently chop up a song and cross-fade between clips to extend the same section or glue the ending onto the middle to end it sooner etc. TBH my main challenge is working with skin tones and Resolve doesn't have the most intuitive feature-set for what I want, so I'm in the awkward space of contemplating writing my own DCTL scripts or trying to massage it's existing features into use for what I want to do. The Film Look Creator and ColorSlice looks good but they seem to lack a couple of really basic (and quite obvious) features - neither has the ability to compress skintone hues, which is a major feature of film stocks, and the Fill Look Creator also doesn't have a slider directly for desaturating the highlights, which is another odd thing because that's a standard thing that film does too. Still, better than nothing for sure! Also, IIRC they tend to focus on new features in the early betas, and then switch gears to optimising performance as they move to a stable release, so the fact it's a bit slow now is to be expected. -
By John Matthews · Posted
M43 must come up with capable small bodies- PDAF and 4k 60fps. Instead, we've got very capable FF-sized bodies. I've still got some decent lenses for the system, but my patience is running thin as used M43 gear keeps going up (the opposite effect of what you'd think, but the need for small systems has skyrocketed). I'm very curious to see what the new S5ii firmware does. Sure, it still has some limitations with regard to FF 60fps, but it makes up for it in other ways, especially tools. I don't think Panasonic was expecting so many options for L mount APS-C. Sigma is going to start taking some market share from M43 IMO. -
By Tim Sewell · Posted
Film Look Creator all day long! Slices seem cool too. Only trouble is that render cache seems a bit borked in the beta - where I was previously getting real-time playback it seems to be falling over a bit. You?
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